@ajamafalous said:
Word.
Queens of the Stone Age have made a significant impact on my life. Influenced how I play guitar, the music I listen to, getting through hard times, etc. All the normal stuff you'd associate with a favorite band. I first heard them in Guitar Hero 1 because No One Knows was in that game, and man did I write them off real hard. The cover of No One Knows that the developers produced for GH1 is so, so bad. I guess I didn't realize that it was a cover? Anyway, when I heard Go With The Flow in Rock Band around 2008, I became a huge fan. Saw them live for the first time last year at the Merryweather Post Pavilion in Maryland and it was probably the best night of my life.
Their self-titled debut album is old, classic QOTSA. Regular John, Mexicola, How to Handle a Rope, If Only, You Can't Quit Me Baby. You kind of can't go wrong with anything here. Their rare live performances of I Was a Teenage Hand Model are so cool. For the longest time now I've wanted to drive through Joshua Tree, California listening to this record. Some day!
Rated R somehow feels like their least cohesive album but it has quite a few classic QOTSA songs, like Feel Good Hit of the Summer, Lost Art of Keeping a Secret, In the Fade, Better Living Through Chemistry, and I Think I Lost My Headache. The latter two represent QOTSA at the peak of their penchant for spaced-out, lengthy jams. Would absolutely love to hear these songs live.
Songs for the Deaf is probably their best. At the very least it's the one I would recommend first to anyone.
Lullabies to Paralyze is where the band began experimenting in some really fantastic ways. Someone's in the Wolf is legit one of their greatest songs. I think this was the first time the band did the really shitty thing of having songs exclusive to certain regions. Like A Drug isn't available on the normal US edition, which is insane. It's great.
Era Vulgaris is the album that people like to bag on, but I love it. The band stretches far in some pretty crazy directions while still maintaining their own identity. It sounds like QOTSA, but it's a more modern, robotic version. It's really cool. This is hopefully the last time the band does the awful thing of having songs exclusive to certain editions/regions. (They literally had retailer-specific bonus tracks. Fuck that.) The Fun Machine Took A Shit & Died is their best song, but it's only available on the tour edition of the album.
Like Clockwork is a special album. It's the first one they released since I became a fan, it was released on the day I graduated high school, and lyrically it's their best by far. It's a bit more subdued than what they've done before, but it's definitely one of their top 2. Maybe #1? Songs for the Deaf is tough to beat, but this album is wonderful.
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