Osu! Tatakae! Ouendan
Osu! Tatakae! Ouendan is a video game that consists of 1 release
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A life bar is displayed at the top of the bottom screen that is slowly depleted over time. The bar is refilled whenever the player hits a beat marker, and the amount that is refilled depends on the player's timing. Missing beats will also cause the meter to drop faster.
The top screen displays a manga-style comic that details the current situation. Each song has multiple parts, and the outcome of the story depends on whether you are successful at each part or not.
The game has four difficulty modes that change how fast your lifebar depletes, how many beat markers you must hit, and the speed in which they appear :
Japanese music rhythm game where you must tap the touch screen in time with the music. Keep up with 15 J-Pop songs which will test your reflexes to the extreme.
Overview
Osu! Tatakae! Ouendan is a rhythm game developed by INiS and published by Nintendo in Japan. It has not been released outside of the country, but has become a popular title for import. Ouendan is the first in a "series" of DS rhythm games, which include Elite Beat Agents and Moero! Nekketsu Rhythm Damashii Osu! Tatakae! Ouendan 2.Plot
Each mission in the game revolves around a character in need of help to complete a certain task. Unable to complete said task, the character calls for the aid of the Ouendan, a group of male cheerleaders who cheer the character on, motivating them to do something like clean up their restaurant to attract customers or get all the office work done in order to ask their boss out to dance. Some of the situations are actually quite dire, as eventually the Ouendan must save the entire Earth from obliteration.Gameplay
The game uses the Nintendo DS's touch screen to display numbered beats. The player must tap these beats with the stylus in order and in rhythm to the song. Some beat markers are special in that they require the player to trace along a path. Other markers have the player rapidly rotate a spinner in order to fill an on-screen bar or else lose a large portion of their own life bar.A life bar is displayed at the top of the bottom screen that is slowly depleted over time. The bar is refilled whenever the player hits a beat marker, and the amount that is refilled depends on the player's timing. Missing beats will also cause the meter to drop faster.
The top screen displays a manga-style comic that details the current situation. Each song has multiple parts, and the outcome of the story depends on whether you are successful at each part or not.
The game has four difficulty modes that change how fast your lifebar depletes, how many beat markers you must hit, and the speed in which they appear :
- Easy
- Normal
- Hard (Must be unlocked by completing Normal)
- Insane (Must be unlocked by completing Hard) (beat markers are smaller in this mode and appear at a faster rate, giving you less time to respond)
Soundtrack
All songs are covers of popular J-pop tunes, with the exception of 175R's "Melody"- Asian Kung-Fu Generation – "Loop & Loop" (by Kyōya Asada)
- Morning Musume – "Koi no Dance Site" (by Kaoru Kubota, Fumio Kobayashi, Yūko Yajima, Mari Nabatame, and Akina Okabayashi)
- Ulfuls – "Guts da ze!!" (by Hiroaki Takeuchi)
- 175R – "Melody"
- The Blue Hearts – "Linda Linda" (by Daisaku Shimada of Bevenuts)
- nobodyknows – "Kokoro Odoru" (by Bugashman, Cantaman, Moss, Mouse-P, and Sausen)
- B'z – "Atsuki Kodō no Hate" (by Tetsushi Kimura)
- Tomoyasu Hotei – "Thrill" (by Hiroaki Takeuchi)
- Road of Major – "Taisetsu na Mono" (by NoB)
- Linda Yamamoto – "Neraiuchi" (by Kaoru Kubota)
- Kishidan – "One Night Carnival" (by Kei Imai of South 2 Camp)
- Hitomi Yaida – "Over The Distance" (by Ayako Kawajima)
- The Yellow Monkey – "Taiyō ga Moete iru" (by Mitsuru Yanagisako)
- Orange Range – "Shanghai Honey" (by Bugashman, Cantaman, Moss, Mouse-P, Sausen, mimi, and Akasanajar)
- L'Arc-en-Ciel – "Ready Steady Go" (by Tetsushi Kimura)
| Game Name | Osu! Tatakae! Ouendan |
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| Original US Release |
July 28, 2005
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Pepsiman's Guide to Surviving Imports
As the years go by, the importation of video games is becoming a more and more integral part of the medium's culture. Those who are completely new to it, though, have the potential to be overwhelmed. This guide seeks to prevent that by presenting the information necessary to make the right decisions when it comes to imports.
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