I've beaten this game probably more than any other RE entry—shit, more than any other video game for that matter. Everything with Lisa Trevor elevates it.
The Sewers in RE2 Remake. A 5/5 game brought down to a 4 because of that
I don't think it hurt the game as much for me, but goddamn ammo seems to become much less plentiful right around the time those G-mutates show up and you really need it.
As a Radiohead fan who loves Kid A and especially Amnesiac, this ruled, the "How to Disappear Completely"/"Pyramid Song"/"You and Whose Army?" sequence especially.
Did you ever catch up to/EVA with the probe that launches at the very beginning of each cycle? You can't meaningfully interact with it and it's completely optional, but I felt such a sense of pride being able to reach it, match velocity and spacewalk around it. What a fantastic game.
The Last of Us Part II rocked me to my core and I've thought about it daily since finishing. It helped that, beyond my my enjoyment of the first game, I had essentially no expectations—no spoilers, no reviews, avoided all discussion and discourse—and basically went into it blind. I'd originally planned to plow through it between Christmas Day and New Years (yeah, I held off that long), but ended up having to step away from the game for days at a time because its violence and unfolding perspectives were getting to me. Felt almost like the video game equivalent of playing through Apocalypse Now or Incendies. I never want to forget the feeling of that first playthrough.
I'll never play this thing but I am genuinely happy for the vocal segment of Sonic fans who are open about having fursonas. This sounds like a fairly savvy person at Sega understands the series has that appeal and said, "Why not?"
Log in to comment