I had to look up wikipedia to know that the "current" timeline is 2012, did anybody catch that anywhere in any episodes? I don't know how I missed it.
Anyway, is Woody Harrelson like a sexy/irresistible man in most American eyes? That's the only thing I found absurd in the show. God bless him but I just can't wrap my head around that.
I don't think the Woody Harrelson thing is THAT bad. I mean, he has two girls that are attracted to him seven years apart, and one is attracted to him because he is a hero cop who helped her out. It seems more ridiculous than it is because of the way the show compresses time, but a dude like Hart picking up two girls in a decade doesn't seem too crazy, or am I out to lunch on this?
@fredchuckdave said:
@geraltitude: Rust's dialogue is pretty anti-type for a cop show.
Totally, but it's really on type for a philosophy undergrad.
Like I said I think the actor saves that character, and it helps that there's some comedic acknowledgement from Woody too.
I like Rust but every now and then I just roll my eyes and feel like Yeah, I remember you saying that in class too.
I think that's exactly the point. Rust talks like he has figured it all out, but in the end it's only a mask, created because he actually cares about the state of the world, obsessively. It's paper thin, just as his anti-social persona - he is perfectly capable of being social, it's just that he's unwilling most of the time. This shines the most in his relationship with Hart's wife: his ambiguous answer to Maggie about Hart's infidelity, his assurance to Hart that Maggie's softening (even though there's nothing to indicate from that conversation, not to mention Rust leaves after silently telling her to fuck off) or when the only time he's screaming is when Maggie betrays his trust to get revenge sex on Marty.
It's kinda like with Max Payne, who hides behind cliches because it helps trivialize his suffering, so it's easier to process. Especially poignant in MP3, when he only starts succeeding once he stops thinking like a film character and starts doing his job for the sake of it.
Exactly. A lot of people criticize this show for trying to be profound via Rust, yet failing and coming off like some dilettante philosophy freshman. But Rust isn't some direct authorial voice, he's a character who uses rhetoric as protection or distraction. I mean, for all his nihilistic whining he is the one most concerned with truth and justice. He's the one who tells kids to get in the bathtub, and who is eaten from the inside out by the murders.
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