Roomrunner

Damn, none of us picked that for Krazy. In hindsight, it seems like an easy choice.

Not sure if gf will allow for two nights of wrestling in a row, but at least I saw the good show. anyways...

Summerslam Krazy

1. Lana takes to the ring rebranded as a fully assimilated Hollywood blonde
2. The Miz performs the Johnny Cage "split & low blow"
3. The return of Biker-Taker

That hurricanrana botch scared the shit out of me.

NXT Brooklyn startling like... now? here is some free Krazy for ya anyways...

Kevin Owens beating Finn, and promptly trashing the belt.

Liger and Breeze double-turn match.

Alexia Bliss takes the Roman Reigns role in TRIPLE POWREBOMBING BABY, the Vaudevillains.

I had more fun watching my gf search for Sunset Sarsaparilla Star Caps than watch RAW. Sounds like I didn't miss much. Any good New Day stuff?

The Stardust/Barrett promo leans more into what I'd like to see from them, so yay. Barrett sort of justified his role in this match by calling out an actor for trespassing in his "kingdom". Also, in kayfabe logic, Barrett should be as aiming as low as possible to score victories. Too bad they're still going to job hard. Hopefully they get a little bit of good stuff in.

I don't see what's so interesting about Arrow's match. He may be a fan, but this is just another celebrity that's going to get the hero treatment. Celebs on WWE are just like SNL guests. 99% of them just smile at the camera while the rest of the cast make themselves look stupid. That kayfabe ranking of the WWE roster that goes around every few months is missing one character at the top - the celebrity guest.

Shoehorning Barrett into this just goes to show what little faith WWE has in Stardust to carry an angle. They fooled me into thinking something will be done with him from the promo packages and interview with Cole. It's pretty obvious though; from commentary running him down non-stop, Neville doing nothing during promos but make the Max Payne face, having to flee from a celebrity, and now associating with the cursed Barrett; he's nothing more than "geeky Heath Slater".

If he's just gonna be treated like a fool, let him act like one. Go full Monarch. Be a lousy super villain and throw a fit when they don't play along. Bring up Alexia Bliss to be his Doctor Girlfriend. Instead, WWE wants it both ways. They run down talent while in the ring and have them get chumped out week after week, but when they want to sell a match HHH has to talk up Barrett and Stardust as if Amell will literally be killed in the ring.

Is there logic as to why it was called "the Zapping System"?

I've finally spent enough time with Titus Andronicus' 90 minute "epic" - The Most Lamentable Tragedy.

It... really isn't the kind of album you can listen to all in one chunk. I wouldn't even really recommend dumping the whole thing on your iPod either, because of all the interlude tracks. There are quite a few tracks on this album that are literal silence, or one or two notes extended out for minutes. The album is broken up into five acts, and these tracks serve as intros/cool-downs to them.

The best way I've found to listen to it is to just pop on one act (they range from 10 to 20 minutes each) and put it away for a while before listening to another. Maybe this album should have just been 5 EPs spaced out over a year instead. If you do cut out all the tone setting tracks, there is still about an hour of wild and crazy punk to enjoy. It's not a bad album, but definitely could have been composed in a more succinct and satisfactory manner.

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I also got HEALTH's new LP, DEATH MAGIC

Odd that both of these albums remind me of The Knife. The Titus release has way too much filler, with some great tracks in between (just like The Knife's Shaking The Habitual). DEATH MAGIC def has that abrasive dance style that makes me miss The Knife.

This is noise-rock mixed weird artsy dance music. The Knife def did it better, because their pop influences have more of a world music vibe. DEATH MAGIC is more like modern American big arena pop. I love how brutal and loud it sounds, and that it incorporates a genre that's so different. They don't do enough to spice up the pop music though. It still comes off as disposable, despite all the knobs turned up (just like Sleigh Bells at their worst). The vocals are stale, and the lyrics are pretty boring too. I'd much prefer this was an instrumental album.

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Oh yeah, and a handful of new reviews.

I get in depth about Hot Chip, Drenge, Refused, Towa Tei, and The Sonics here.

With all the screwy finishes and gimmicks going on in WWE matches, you could also book it as brains vs brawn (using the specialty of the match or spontaneous shenanigans to get a win). I don't think you necessarily need a beast sized woman to get over, but someone who appears to be tougher / more willing to brawl (a Dean Ambrose or "The Bride" from Kill Bill like character) seems believable.

I will concede though that none of the characters in WWE fit that mold, and a transition from that would take a long time.

I want more intergender matches. If chun-il can beat up Zangief, Sasha Banks can beat up Rusev.