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Metro 2033 Review

3
  • X360

The atmospheric world of Metro 2033 is exciting while it lasts, but feels diluted by poor gunplay and monster AI.

Post-apocalyptic, zombie-infested wastelands are slowly becoming the new Normandy of video games. Such is the setup of the underground Moscow depicted in Metro 2033. Metro is the first game from Ukrainian developer 4A Games, a company founded by engineers from the S.T.A.L.K.E.R. team. While at first look you might expect a spiritual sequel to S.T.A.L.K.E.R. (there are even guitar-playing crooners to greet you at the campfire), Metro 2033 is a smaller, more focused game. It shares more in common with recent scripted shooters from the West than anything that's recently come out of the Eastern Bloc.

Who doesn't love a man in a gas mask? 
Who doesn't love a man in a gas mask? 
You begin Metro 2033 as Artyom, a subterranean dweller of one of the underground towns that's cropped up beneath Moscow since an unknown nuclear event happened years ago. After volunteering to help a seasoned soldier known as "Hunter," you learn of an impending attack by a flood of Dark Ones--the mysterious paranormals of the underground. Soon you're on your way to battling Dark Ones, bandits, and Nazis (yeah, those guys are somehow still around) and generally raising hell on your way to stop the flood. It may sound like a familiar story, but Metro 2033 does quite well by keeping the threat level high and the lights off through most of your journey. It's a dark game in both senses of the word and avoids a lot of the happy cliches you might expect in this genre.

The story is told in a linear fashion that has Artyom (who weirdly only speaks through narrated loading screens) moving from town to town trying to find someone who understands the Dark Ones' threat and is willing to help out. Around half of the missions have you moving along your journey with whatever friendly soldiers happen across your path, though often you'll get separated and have to go through the cramped tunnels alone. It's in these moments that Metro 2033 successfully embraces its survival horror side with some keep-the-light-on stumbling that feels similar to the better parts of Doom 3. That's not to say that this is strictly a monster-closet scarefest, though, as Metro features quite a few clever puzzles and stealth elements. Be aware, though, if you aren't a fan of horror games, Metro 2033 likely isn't your game. Its HUD-free interface and visceral audio effects keep you focused on the action enough that you'll quickly learn to read Artyom's breathing patterns as a sign of trouble.

The well-done audio and lighting play a part in Metro 2033's stealth mechanics as well, which allow you to avoid detection and silently kill troops by keeping to the shadows or turning off the various lanterns that litter certain stealth-friendly levels. Unfortunately, while the sneaky parts of the game certainly work, it's not always consistent. I often found myself giving up on them entirely in favor of hunkering down and letting the enemies come to me. The stealth bits generally aren't up to the same standards as some of the better sneaker-shooter games (Deus Ex, Thief) and you might find yourself similarly frustrated with portions of the game.

 You'll be able to restock in many of the towns you come across.
 You'll be able to restock in many of the towns you come across.
As you make your way through Moscow you'll collect unique gear, weapons, and ammo that can be bought and sold at shops. The main currency of Metro is--wait for it--bullets. Pristine bullets to be specific. You'll find cartridges of the stuff on dead bodies and on shelves, which you can either decide to use in your weapon for more stopping power or trade in later for a higher quantity of rusty bullets. While this sounds great in terms of story (after all, what's more important to dudes that do a lot of shooting than bullets), in practice Metro 2033 is very stingy with the ammo. I found myself out of bullets quite early in the game and never really recovered from that mishap. This was complicated even further when I encountered a technical hiccup with the save-game system that prevented additional attempts to play through early levels from sticking to my save.

Pristine bullets will also buy you new weapons, which are split between revolvers, shotguns, assault rifles, knives, and grenades. You can only hold one gun of any one type at a time, and most guns come in silent, scoped, or stopping power varieties. It's usually good to keep one of each type around, as most of the guns in Metro 2033 are ineffective at range. Actually, most of the guns don't carry much of a kick unless you specifically go for stealth or a headshot. With long weapon reload times that give Cryostasis a run for its money you'll find yourself doing a lot of running while you're reloading, which wouldn't be so bad, except that Metro 2033 features a lot of tight corridors without a lot of places to hide. In general, the weapons accurately fit the theme of the game, as you wouldn't expect to find a perfectly maintained AK-47 in the sewer muck that infests this version of Moscow.

The best gear in Metro 2033 is the gear worn on your head. You'll very quickly learn that you won't last long in the irradiated above-ground sequences without equipping a gas mask and will die just as quickly without night-vision goggles when underground. While your night-vision will drain its battery and need to be recharged, your gas mask (with replaceable filters) will take damage separate from your health. Take too much trauma and your mask will not only visibly scar but could crack, in which case you have all of 15 or so seconds to find a new one. While under the mask, the entire soundscape of Metro 2033 changes considerably. The voice of the comrade on your right is now coming in through your radio and all the echos of this watery world undergo a Barry White bass overdrive. In general, both effects are pulled off very well and really increase the believability of this scary, unhealthy place.

The Dark Ones serve as the main bad guys of Metro 2033.
The Dark Ones serve as the main bad guys of Metro 2033.
Also unhealthy are the mutants, paranormals, and bandits that make up the majority of enemies in the game. Mutants come in few a varieties: small rats, big rats, and flying rats. All of them share some occasionally embarrassing animation and AI. Usually, the mutants prefer to simply jump straight at you from ten feet away. This makes some of the combat in Metro 2033 fairly simplistic. A couple of sidesteps and the occasional quick time event (there is only one kind) and you're usually fine. Unfortunately, most of the game is fought in hallways so you don't have much room to move. The human enemies are a bit more fun and will take cover, flank you, and generally behave as you'd expect. Those fights, especially those when you're outnumbered, are actually quite challenging and you'll find yourself needing to strategically think about your fights without going in guns-blazing.

It's worth nothing that Metro 2033 is a single-player only affair and clocks in at around eight hours. So it's a pretty quick ride. There's very little reason to replay it unless you plan on going for many of the game's level-specific achievements. Technically the game does well enough on the 360, but in very specific lighting situations it's prone to framerate issues. Like other games that originate from Eastern Europe, the overall visual quality see-saws between stunning and silly on a texture-by-texture basis, but the audio, effects, and lighting are the clear winners here.

Metro 2033 successfully constructs a believable world that delivers a setting and story that get past the core annoyances of its gameplay. When you first watch steam escape from creaky 10-ton doors as they open to reveal the sprawling, murky madness of underground Moscow, you might be able to forgive the goofy monsters, too. Metro 2033 is best for experienced gamers already familiar with the trappings of the modern shooter who are OK with playing a roughly made game that still manages to deliver a unique experience.
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