There is one thing I dont get in regards to the true ending.

I dont get Izanami's motivation for giving MC, Adachi and namatame the power to enter TV's. I mean, why would she want to do that? was she bored or something? maybe I missed something here.

You couldn't have asked that in your original topic on Persona 4 and the true ending?

thats a blog post which I created to record my feelings of the game. I also added a spoiler warning for anyone who would want to read it.
This though is a seperate thing altogether, im asking a question. I want to keep the two things seperate.

It has to do with the Japanese legend of the creation of the world and man and the relationship between Izanagi and Izanami.

I would have been satisfied if the game simply ended with Adachi instead of wandering into myths and legends.

I guess I didn't mind the izanami bit too much. I must agree that the whole TV, adachi and namatame thing was more interesting but the Izanami thing wasn't too bad. So basically, she wanted to bring grief upon izanagi so she saw fit to inflict the power of the television upon the MC and then two other people not from Inaba just to see how things would turn out.

Jack Frost is merely a cameo Persona since Atlus loves to put him in their games very, very much, what with him being the mascot and all. A very large chunk of the other Personas do indeed reference various world mythologies, though. The Frost line of Personas are among the few exceptions that I know of.

The class where the Mr Edawa (I think his name was) after Chichiro greets you outside the school.
It's like the only class you take while at Gekkoukan

I thought it was just for something to do.  Hang out at a gas station, randomly hand out super-powers, see what happens.  Being an ancient deity could probably get boring sometimes.

I must say, that myth didn't come to mind at all, nor did being bored when I thought about her motivations. I figured that what she said was true, she was trying to help mankind by creating their ideal world. She just disregarded the fact that becoming a shadow did not appeal to Joe the Plumber.

But really, P4 just succumbed to the same stereotypical Japanese plot ending that most JRPGs and anime do, which is to bring all action to a DEAD STOP right before the climax, and spend an interminable amount of screen time spouting pseudo-philosophical BS, usually regarding the futility of action, the illusion of choice, the corruption of mankind and the worthlessness of all existence.  (See: Akira, Ghost in the Shell(s), Cowboy Bebop: The Movie, Every Final Fantasy Ever, etc.)

" This was the legend covered by the teacher at P3's Gekkoukan High when the P4 class went to visit.

But really, P4 just succumbed to the same stereotypical Japanese plot ending that most JRPGs and anime do, which is to bring all action to a DEAD STOP right before the climax, and spend an interminable amount of screen time spouting pseudo-philosophical BS, usually regarding the futility of action, the illusion of choice, the corruption of mankind and the worthlessness of all existence.  (See: Akira, Ghost in the Shell(s), Cowboy Bebop: The Movie, Every Final Fantasy Ever, etc.)

Still loved the game.

"

"This. You also forgot the mother of all of this crap: Neon Genesis Evangelion, which slows to a crawl until the last two episodes and about half of End of Evangelion are nothing more than psuedo-philisophical bullshit that no normal human can comprehend even after multiple watchings and the aid of Wikipedia, which makes the ending so extremely unsatisfying.I think I would have been fine if they had just been like "Oh, the TV world is a reflection of people's desires but not really" and then just finished the story with Adachi, mostly because of how lame some parts of the true ending are (really? They used almost the exact same plot device as Persona 3 to help you defeat the final boss?) "