@hailinel: Fair enough. Maybe we'll take the debate to PMs soon and we'll try to have a civil conversation about it. Maybe I got off the wrong foot.
I know there are people that don't see things the same way as I do. I'm okay with that. What I'm not okay with is the implication that stuff like Samus's characterization and the way the story is written is acceptable (hell, even justifiable) in the industry at large. I don't know how you can look at all the legitimate criticism provided by all sorts of people and pass it off like it doesn't mean anything to you. Although correct me if I'm wrong about that.
I agree that the writing can be criticized. Like I said before, it's not good; too much telling, not enough showing. It's too dependent on Samus's narration explaining things that could have otherwise been told as flashbacks with full dialogue and makes the unfortunate choice to shoehorn the reasoning behind Samus not using her armor upgrades as her weapons. There are legitimate flaws in the script and storytelling; I won't argue against that.
What I will argue against is that limiting Samus by her agreeing to take orders and demonstrating signs of emotional weakness are not inherently bad. She's not some weak, wilting flower. She can still kick plenty of ass and demonstrates backbone. However, she's still a human being. Samus has her own weaknesses, just like anyone else. Maybe there are those that don't like to think that; they want Samus to be this badass, no-nonsense warrior-killer, but that sort of simplistic portrayal comes at the cost of personality and humanity. A fully realized "strong" character isn't just a character that can stand up for her or himself. Strong characters are those that are strong in terms of their characterization and are more fully fleshed out as individuals, rather than simple archetypes. Samus, as portrayed in Other M, is a fairly strong character hampered mainly by Yoshio Sakamoto's lack of ability as a writer. She runs into potholes and roadblocks along the way, but she still fights through it all and saves the day. The fact that she took orders (up to a point) and required help on occasion doesn't make her a weaker character. It makes her more believable as a person.
Where exactly does she "kick plenty of ass and demonstrate backbone?" If I took stuff from the story cutscenes alone, it shows that though she does kick some amount of ass, her backbone is virtually nonexistent with regards to her interactions with Adam.
I would believe you that "she fights through it all and saves the day" if say, for example during the Ridley scene, after her episode, she not only fights back, but destroys Ridley yet again by her own hands rather than have him killed offscreen by some creature that came out of nowhere. Since the latter happened, there was no true closure to that subplot, she never got payback, she never truly overcomes her obstacles, that particular subplot was not resolved. In the end, we are left seeing her as a weaker character than she started out as, and for seemingly no other reason than as a vain attempt at giving her some character depth for the sake of doing so.
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