First and foremost, the album cut of "Bring the Noise" > the Anthrax remix of "Bring the Noise" from THPS2. Not a particularly hot take or anything. This is just my roundabout way of acknowledging that THPS2 was my first exposure to Public Enemy. I'm sure the same can be said for a lot of people who played THPS2 as a kid.
I first listened to this album when I was very young, either in late middle school or early high school. I had just discovered hip hop and I was doing things like looking up "top 10 greatest rap albums of all time" and stuff like that, which led to both this and Fear of a Black Planet. I loved it then and I love it now.
This is very much an album of its time in a lot of ways, and I'm willing to guess that anyone who's new to hip hop will probably think there are aspects of it that are outdated. It Takes a Nation was released in '88, and it's an album very much informed by a lot of the old school New York hip hop that came before it. That isn't to say that it didn't set itself apart from that stuff, but when you consider that Straight Outta Compton was only released two months later, there are more than a few elements that may sound a little old. The constant shoutouts to their DJ, the prominence of Flava Flav as the hypeman, some of the rhyme patterns. I could on.
This is also not to say that N.W.A didn't have stuff like this as well. And it would be a while before the discourse evolved to the point where it sank in with those willing to listen that the subject matter of Public Enemy and N.W.A are frequently two sides of the same coin. Public Enemy took a more direct political approach while N.W.A presented what life was like for the marginalized and disempowered. The same goal attacked from two different angles. But It Takes a Nation was an extension of what came before it while N.W.A more or less blazed their own trail.
Still, old school is not bad. Far from it. And I love this album for the same reasons now then I did back then. Mainly the abrasiveness and the attitude. How angry it is and how that anger gets expressed through its assaultive production. Imagine you're a little kid in the Bush Jr administration. Institutions are falling apart and you're aware of how powerless you are. What a perfect time to discover Public Enemy, and not long after that, the conscious Soulquarian hip hop and R&B that forever solidified my love of music, none of which would exist without Public Enemy.
Has this album lost a little bit of a shine? Sure. But it still fucking rules.
Favorite Songs: "Bring the Noise," "Black Steel in the Hour of Chaos," "Rebel Without a Pause"
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