delsaber

$350 would be my ideal stopping point. Anything exceeding $400 is absurd to me.

I worked with a very small indie developer on-and-off over the last ten years or so. Very small as in there were only three of us with anything resembling a semi-permanent position, boss included, plus random contractors when the need arose. So we all wore a ton of different hats.

We didn't produce anything game-wise that I'd feel 100% comfortable linking to, however. System utilities and small apps were/still are the bread and butter there. We never considered ourselves to be "in the industry" or anything like that.

Christopher Walken attempting to explain, in a very Walken-like manner, the concept of the Tooth Fairy to a crowd of non-English speaking mooks, was probably the best part of The Rundown.

I wonder if Triple H's hair was donated? It could cure someone's cancer.

I'm a Canadian who can't really stand rye. Weird?

Scotch man here. Bruichladdich and Highland Park are my favourites at the moment, any vintage really.

While I'm not entirely sure why, my vote goes to Naoto's story.

Triple H is now one British accent and several character deaths away from becoming Sean Bean. Except he never jobs to anyone. /rimshot

I'm a wizard and CFDelsaber is my Twitter account.

Agreed; Kenichi Tsuchiya is a solid guess. It sounds more electronic than Shoji Meguro's usual, though he has drifted in that direction before.... but still. Meguro's a busy man these days, y'know? Can he really be everywhere so far as Atlus projects are concerned?

If it's not Tsuchiya, I suppose it could also be Atsushi Kitajoh. There's stuff on his various Trauma Center soundtracks that's pretty close to this.

Well, there really is only one correct answer to this question. Charlie Tunoku: still a threat.

I will say that if Atlus had given us a female path a la Persona 3 Portable, I would name her Charlene Tunoku.