I really enjoyed it, and it's a shame that it's bombed as badly as it has. It's flawed in a lot of ways, but it's stuck with me in a way few flicks have this year, and had some really striking moments (I'm thinking of the ship rigging / Neo Soul bridge crosscutting and Hugo Weaving's Old Georgie confronting Tom Hanks as they climb the Hawaiian volcano).
Not to mention how shockingly well paced it was. Almost three hours, and I don't think I was ever bored.
Sadly the film's dialogue doesn't measure up to the visuals, and the themes are far more eloquently expressed through the editing and the connections between the actors (like Jim Sturgess's freeing slaves across different stories) than when a character gives a big speech about the meaning of the movie, which is mainly a dull word salad of new-agey buzzwords. Sonmi's big climactic broadcast kinda lands with a thud. I much preferred Hugo Weaving's big harangue about the naiveté and futility of the abolitionist movement, which *was* actually quite moving, given what the audience knows about that history.
The strengths definitely outweighed the weaknesses, though. And it has Hugh Grant eating people and Keith David running around in pretty much the exact costume from Shaft, so that's a big plus.

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