mathey

THIS.

Resolution creeps up on you real good, and its an excellent meta-commentary too.

Possession is super-arty but also incredibly fucked up.

I'm also happy to see Kill List on there; its one of my fave movies from out of the UK.

Discovering Giant Bomb was a huge help to me when my dad was in and out of ERs. Jeff, I hope you realize how much you and the rest of the guys mean to all of us.

:p

Fantastic!

Yeah! :D

Its a bummer, but its a pretty common practice given the confluence of design and internet. It seems especially bald-faced in the mobile game arena.

So, uh, try putting :yoshi into chat some time. Its fun.

I drew this puppy.

Admittedly it was a while ago, but I'm putting it here as a sign of solidarity and appreciation for Matt Rorie and the rest of the Giant Bomb crew. They ain't perfect, but they's what we's got.

This morning I was listening to some public radio and I heard a lady talking about the score for Enemy Front, the World War II shooter that was recently given a Quick Look. There was a brief interview with Chris Velasco, the composer for the game, and some snippets from the music. While the show was short - clocking in around only 5 minutes - it still came as a pleasant surprise.The host, Emily Reese, seems genuinely excited by orchestral video game scores and has hosted a few PAX panels on the topic.

There's a podcast version of the show with 95 episodes, and it looks like the older ones are longer and more in depth. There's talks with the folks behind the scores for Red Dead Redemption, Bioshock, Broken Age, and many more. If you like orchestral scores, classical music, or are just curious about music makin' for vidja games, check it out:

http://minnesota.publicradio.org/display/web/2011/07/01/game-show