Funny People Review plus Revolutionary Road and O Brother?
By RHCPfan24 8 Comments
Here is a trifecta of movie reviews today: a comedy, a drama, and something in between. You guess which one is which.
Funny People
Only Judd Apatow's third film as director to date, Funny People seems to already signal the end of the director's trademark style in favor of a darker, more mature tone. That does not mean this film is void of any penis jokes or crude jokes about sex... (read more) Only Judd Apatow's third film as director to date, Funny People seems to already signal the end of the director's trademark style in favor of a darker, more mature tone. That does not mean this film is void of any penis jokes or crude jokes about sex but it shows that Apatow is ready to move beyond those typical conventions to get laughs, and emotions, from the heart.
Adam Sandler plays a very successful comedian named George Simmons, practically a duplicate of himself on screen. He is diagnosed with AML, a form of leukemia and the doctor says he may not live that much longer with his condition. George has been a dick to practically everyone he has encountered over the years and sees this as possibly an opportunity in which he can redeem himself. This revelation takes time however, and the film doesn't rush. In fact, this film is over 2 hours, approaching the two and half hour mark. Some have seen this as excessive and yes, it does drag but not to any point of boredom or extreme tediousness.
Ira Wright arrives next, played by none other than Seth Rogen. Ira is not a great stand-up comedian but George sees talent in him and asks him to be his assistant and joke-writer. As "assistant," Ira realizes that he is George's only friend, even when their feelings for each other usually can be described as anything from loathing to tolerant. George reveals his medical secret to Ira, believing him to be his only friend that he can entrust this to. Ira and roommates played by a fatter-then-ever Jonah Hill and a sly, seducing Jason Schwartzman are shocked by the news that George Simmons, their world's Adam Sandler, could pass away.
Meanwhile, George tries to make amends with his ex-girlfriend, the one that got away, played by the lovely, beautiful and always hilarious Leslie Mann. Due to George's stupidity and carelessness as a rising star, their relationship broke apart. George sees his horrible mistake years later but realizes it is too late as she already remarried to a pompous but charming Aussie, Clarke, played by Eric Bana. The "make-up" time they have results to total chaos, and is where the movie makes you laugh and worry simultaneously, concerned about what will come next.
Of course, the film gets dark and very emotional, but there is a lot of humor to be had here. There is a great amount of stand-up that occurs, and Ira steps up his game consistently to be a funny comedian and George delves darker as he progresses. Other guest acts make funny appearances as well. There are also great cameos throughout the film, such as a singing appearance by James Taylor and a party full of celebrities that provides for a hilarious scene between Eminem and Ray Romano.
In the end, Funny People is a first-rate comedy with its shortcomings but should be seen by anyone who wants to see Apatow gradually stepping up his game. Funny People has a lot of drama, ironically, and the comedy is there but is usually interspersed between thoughtful segments. There were times when it dragged but for the most part it felt alive and fresh. Adam Sandler and Seth Rogen give some of their finest performances to date here, and Apatow seems to be ready to retire the penis joke mechanic once and for all.
Revolutionary Road
Revolutionary Road is not an easy film to experience. It is practically all acting and emotion and little to no humor. However, for those who are prepared, it is also an excellent film.
Leonardo DiCaprio and Kate Winslet are an estranged couple in ... (read more) Revolutionary Road is not an easy film to experience. It is practically all acting and emotion and little to no humor. However, for those who are prepared, it is also an excellent film.
Leonardo DiCaprio and Kate Winslet are an estranged couple in 50's Suburbia, realizing that their lives are wasting away while they maintain a reluctant existent. To change things, they decide to move to Paris, the city they always dreamed about. Of course, the process of moving and employment always holds them up and their fate doesn't seem to point in their favor.
The acting in this film is phenomenal and every actor and actress showcases their talents. The leading duo is typically great but the real standout is Michael Shannon, a clinically insane neighbor and the son of the neighborhood real estate agent. The couple meets this man out of pity but they discover that he shares a similar point of view on the world as they do. They wonder if their minds are truly as warped as his is. A later encounter when they have a change of heart regarding their trip is the standout scene in the film: Shannon moves and talks almost in a Joker-fashion, with a piercing laugh and warped face that truly looks insane. He drives Leo to the point of extreme anger and reveals the couple's deepest and darkest secrets to each other, purely from his own mind. A man who has met the couple on only two separate occasions knows more about them than the two know themselves.
The screenplay has bright moments like these but is under-par in the long run. There is a lot of leaning on convention here and some dialogue seems stale. No matter though, as the actors still transcend the source material and make it their own. Revolutionary Road is a haunting film that will not leave you with a positive outlook on life, but certainly a changed one.
O Brother, Where Art Thou?
The Coen Brothers are a consistently reliable duo for making some of the finest movies out there, and O Brother, Where Art Thou? does not disappoint. Based loosely off Homer's The Odyssey, O Brother follows George Clooney, John Turturro and Tim Blake... (read more) The Coen Brothers are a consistently reliable duo for making some of the finest movies out there, and O Brother, Where Art Thou? does not disappoint. Based loosely off Homer's The Odyssey, O Brother follows George Clooney, John Turturro and Tim Blake Nelson as they escape jail looking for a hidden treasure. Of course, a million plot lines develop from this and the result is a jumbled, all-over-the-place string of events that won't stop a smile coming from your face even when you are not sure what is happening.
From a run-in with a dangerous Bible salesman (John Goodman) to an encounter with the KKK, the trio seems to be out of luck but always escape. The dimwitted trio even wonder how they are still alive after all these events. It certainly is amusing to watch.
Complementing the movie's excellent, 1930's Depression era cinematography is an eclectic soundtrack featuring both new and old hits from America's past. This soundtrack won a Grammy and deservedly so because it gives the movie its personality more than any actor or event does. Overall, O Brother is a fun movie that showcases the talents of everyone that is in it.
In the end, I gave all these movies 4 out of 5 stars. I thought they were all excellent for their own reasons. You, the reader, have probably seen one if not all these movies and feel free to sound off your opinions below.
Log in to comment