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Funny People Review plus Revolutionary Road and O Brother?

Here is a trifecta of movie reviews today: a comedy, a drama, and something in between. You guess which one is which. 
 

Funny People

 

Only Judd Apatow's third film as director to date, Funny People seems to already signal the end of the director's trademark style in favor of a darker, more mature tone. That does not mean this film is void of any penis jokes or crude jokes about sex... (read more) Only Judd Apatow's third film as director to date, Funny People seems to already signal the end of the director's trademark style in favor of a darker, more mature tone. That does not mean this film is void of any penis jokes or crude jokes about sex but it shows that Apatow is ready to move beyond those typical conventions to get laughs, and emotions, from the heart.

Adam Sandler plays a very successful comedian named George Simmons, practically a duplicate of himself on screen. He is diagnosed with AML, a form of leukemia and the doctor says he may not live that much longer with his condition. George has been a dick to practically everyone he has encountered over the years and sees this as possibly an opportunity in which he can redeem himself. This revelation takes time however, and the film doesn't rush. In fact, this film is over 2 hours, approaching the two and half hour mark. Some have seen this as excessive and yes, it does drag but not to any point of boredom or extreme tediousness.

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Ira Wright arrives next, played by none other than Seth Rogen. Ira is not a great stand-up comedian but George sees talent in him and asks him to be his assistant and joke-writer. As "assistant," Ira realizes that he is George's only friend, even when their feelings for each other usually can be described as anything from loathing to tolerant. George reveals his medical secret to Ira, believing him to be his only friend that he can entrust this to. Ira and roommates played by a fatter-then-ever Jonah Hill and a sly, seducing Jason Schwartzman are shocked by the news that George Simmons, their world's Adam Sandler, could pass away.

Meanwhile, George tries to make amends with his ex-girlfriend, the one that got away, played by the lovely, beautiful and always hilarious Leslie Mann. Due to George's stupidity and carelessness as a rising star, their relationship broke apart. George sees his horrible mistake years later but realizes it is too late as she already remarried to a pompous but charming Aussie, Clarke, played by Eric Bana. The "make-up" time they have results to total chaos, and is where the movie makes you laugh and worry simultaneously, concerned about what will come next.

Of course, the film gets dark and very emotional, but there is a lot of humor to be had here. There is a great amount of stand-up that occurs, and Ira steps up his game consistently to be a funny comedian and George delves darker as he progresses. Other guest acts make funny appearances as well. There are also great cameos throughout the film, such as a singing appearance by James Taylor and a party full of celebrities that provides for a hilarious scene between Eminem and Ray Romano.

In the end, Funny People is a first-rate comedy with its shortcomings but should be seen by anyone who wants to see Apatow gradually stepping up his game. Funny People has a lot of drama, ironically, and the comedy is there but is usually interspersed between thoughtful segments. There were times when it dragged but for the most part it felt alive and fresh. Adam Sandler and Seth Rogen give some of their finest performances to date here, and Apatow seems to be ready to retire the penis joke mechanic once and for all.

 

Revolutionary Road

 

Revolutionary Road is not an easy film to experience. It is practically all acting and emotion and little to no humor. However, for those who are prepared, it is also an excellent film.

Leonardo DiCaprio and Kate Winslet are an estranged couple in ... (read more) Revolutionary Road is not an easy film to experience. It is practically all acting and emotion and little to no humor. However, for those who are prepared, it is also an excellent film.

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Leonardo DiCaprio and Kate Winslet are an estranged couple in 50's Suburbia, realizing that their lives are wasting away while they maintain a reluctant existent. To change things, they decide to move to Paris, the city they always dreamed about. Of course, the process of moving and employment always holds them up and their fate doesn't seem to point in their favor.

The acting in this film is phenomenal and every actor and actress showcases their talents. The leading duo is typically great but the real standout is Michael Shannon, a clinically insane neighbor and the son of the neighborhood real estate agent. The couple meets this man out of pity but they discover that he shares a similar point of view on the world as they do. They wonder if their minds are truly as warped as his is. A later encounter when they have a change of heart regarding their trip is the standout scene in the film: Shannon moves and talks almost in a Joker-fashion, with a piercing laugh and warped face that truly looks insane. He drives Leo to the point of extreme anger and reveals the couple's deepest and darkest secrets to each other, purely from his own mind. A man who has met the couple on only two separate occasions knows more about them than the two know themselves.

The screenplay has bright moments like these but is under-par in the long run. There is a lot of leaning on convention here and some dialogue seems stale. No matter though, as the actors still transcend the source material and make it their own. Revolutionary Road is a haunting film that will not leave you with a positive outlook on life, but certainly a changed one.

 

O Brother, Where Art Thou?

 

The Coen Brothers are a consistently reliable duo for making some of the finest movies out there, and O Brother, Where Art Thou? does not disappoint. Based loosely off Homer's The Odyssey, O Brother follows George Clooney, John Turturro and Tim Blake... (read more) The Coen Brothers are a consistently reliable duo for making some of the finest movies out there, and O Brother, Where Art Thou? does not disappoint. Based loosely off Homer's The Odyssey, O Brother follows George Clooney, John Turturro and Tim Blake Nelson as they escape jail looking for a hidden treasure. Of course, a million plot lines develop from this and the result is a jumbled, all-over-the-place string of events that won't stop a smile coming from your face even when you are not sure what is happening.

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From a run-in with a dangerous Bible salesman (John Goodman) to an encounter with the KKK, the trio seems to be out of luck but always escape. The dimwitted trio even wonder how they are still alive after all these events. It certainly is amusing to watch.

Complementing the movie's excellent, 1930's Depression era cinematography is an eclectic soundtrack featuring both new and old hits from America's past. This soundtrack won a Grammy and deservedly so because it gives the movie its personality more than any actor or event does. Overall, O Brother is a fun movie that showcases the talents of everyone that is in it.

 
 
In the end, I gave all these movies 4 out of 5 stars. I thought they were all excellent for their own reasons. You, the reader, have probably seen one if not all these movies and feel free to sound off your opinions below.
8 Comments

Quick Blog - Going Away for Some Time + Games

Hey, just want to update you all with what I am doing and why you won't see much of me for the next two weeks.

  • I am going to Philmont, New Mexico for a hiking trip. It is going to be 14 days total. I am leaving tomorrow (the 18th) and I will be back on the 1st of August. I have done this trip before (in 2007) and it is great but, you know, camping and roughing it is quite a contrast to traversing California and playing games, my summer so far. I know I will have a good time but this will be the longest period time I am not on Giant Bomb, so try not to miss me too much ;)
  • In other news, I have seen the new Harry Potter and the Half-Blood Prince. You may have already seen my review and, as you can tell, I loved it. I thought it was the best movie yet and it was a very emotional, beautiful and funny installment. I can't wait for the last 2 films now.
  • With games, the two games I have been sinking my teeth into have been Fallout 3 and Battlefield 1943. For Fallout 3, I am playing old DLC like Broken Steel and The Pitt, and I have been finishing old side quests I never did. The game really gets spectacular after you level up a lot (I am at lvl. 27 right now) and spend a lot of time with it (I have logged about 63 hours into my file). The fact that you have to spend that much time with it to get a lot of fun may be part of its problem, but Fallout 3 is still a damn fine game. I enjoyed it more than I did with Oblivion, at least.
  • Like I said, I have also been playing Battlefield 1943 and I love, love, love that game. That seems to be the general consensus but, seriously, I am not the most multiplayer-centric guy so when I play a lot of one game that is only multiplayer, that is speaking something to its quality. For $15, I can't recommend a better downloadable shooter, period. 

So that is my quick blog. I will be here for the rest of the day but I look forward to seeing you all back on the 1st. I will be able to get some mileage out of the Giant Bomb iPhone app for the first few days but after we get far into the wilderness, I will have no coverage. Twitter will be silent as well. Sorry, but I will see you all soon!
19 Comments

Harry Potter and the Half-Blood Prince Review (Movie)

There is always room for growth in a series that continues to flourish and mature after each outing. With Order of the Phoenix director David Yates at the helm and screenwriter Steve Kloves back after a short hiatus (he was the true source of the last film's weakness), Harry Potter and the Half-Blood Prince is a fantastic film that is brimming with comedy, drama, love, and loss. As of this moment, I would count it as the best Harry Potter film yet, a quite significant word of praise considering how great each installment has been to this point.

Opening with a shot of Dumbledore and Harry surrounded by reporters during the aftermath of the previous movie's ending and with a high-pitch, barely audible scream of Bellatrix Lestrange, I couldn't have imagined a better way to start this film. It suggested a more confident, risky approach at film-making and it sets the movie off at a perfect tone. Yates and Kloves have hit a stride in their work and now are perfectly complementing each other.

One immediate, noticeable key to this film's success is its seamless transitions between the Muggle and Wizard world. A bright spot of my other favorite Potter film (Prisoner of Azkaban), the incorporation of the "other" world into their own makes the storytelling that much more believable, as well as display some truly spectacular special effects. A scene of the Death Eaters flying through various landmarks of London and causing havoc along the way is truly eye-opening. The cinematography remains extremely strong throughout and the general lack of much color and glamor suggests this newer, even more mature tone.

Of course, not everything in Hogwarts is dark and tragic; JK Rowling knows when to have fun. Romance is a new aspect of the teen's lives that is a huge focus for many scenes. Ron is feeling growing feelings for the always faithful Hermione, feelings that are tantamount or even more so. However, the horny, obsessive Lavender Brown gets in the way and steals Ron from his true partner, causing a feud between the two. Meanwhile, Harry starts to feel love for another person that should be deemed taboo to him, Ron's sister, Ginny. What follows is a typical teen love story that is made the more interesting by the actors' talents and the best part is that this is just one aspect of the film, not its leading cynosure.

Young Tom Riddle (Voldemort)
Young Tom Riddle (Voldemort)

The acting also continues to impress, unsurprisingly. Daniel Radcliffe still remains THE Harry Potter, even if his character may be overshadowed by the other, more interesting supporting characters. That is no slight to the leading man, of course. It just shows how rich of a world Rowling created and the breadth of talent and detail her books and the films hold. Rupert Grint is given a more comical outlook this time, usually providing the comic relief when the going gets tough. A particular scene with a overly strong love potion was hilarious to say the least, and even after a close encounter with death, Ron always has a lighthearted one-liner to deliver. Emma Watson returns as a more mature actress with looks to match the talent. Hermione has always been great, but the scenes involving her jealousy with Ron and the conflicting feelings she has show her peak so far, a benchmark that will surely be surpassed in the next film. After a while you wonder why Ron is stupid enough to look over the prettiest girl in the school but the end of the film can only foretell positive feelings for the future.

Many other characters continue to remain strong, such as Evanna Lynch's perfect rendition of Luna Lovegood as well as Tom Felton's haunting Draco Malfoy. Draco is given a heightened focus in this installment and his task assigned by Voldemort really defines who he has become. In addition, the Weasley family remains strong, even after a loss that was not in the book midway through the movie. Seasoned readers (such as myself) have been surprised. Hagrid, by Robbie Coltrane, returns all too briefly, but it is just a sign that the kids don't have much time to hang out with the big, lovable half-giant anymore. They need to grow up. Furthermore, Alan Rickman's Severus Snape remains wordlessly perfect, embodying the best character of the series with almost little noticeable effort. His work in the last film will be legendary if he continues along this path and with Rowling's source material. I have faith that he will not disappoint, a perfectly reasonable assumption for one of the greatest living actors at the moment.

Two characters are given the spotlight even more than most aforementioned ones in this installment. Dumbledore, played by Michael Gambon in a way that surpasses the late Richard Harris's standards (no disrespect to that excellent actor however), is an amazing character in every sense of the word. His vast knowledge and magical prowess have always made him a fascinating character with a rich history. Here, in one of his final acts, he once again leads Harry on this path to vanquish, once and for all, the dark lord, Lord Voldemort. Gambon brings so much charisma and energy to the role that the images of Rowling's descriptions and his acting go hand-in-hand. The fate of his character provides for a truly beautiful scene at the end.

The other character is none other than Professor Horace Slughorn, played by Jim Broadbent. Jim is a seasoned British actor and has won an Academy Award in the past, but out of every movie I have seen him act in so far, this is by far his best role yet. Slughorn's persona is improved upon with Broadbent, a compliment considering how much detail Rowling put into it herself. He provides many moments of hilarity, probably to hide his ashamed past. His role with Tom Riddle in years past haunts him years later; Harry has a task to see through the smoke screen and extract this vital info. However, Broadbent's character is not this dark in the long run. He loves to throw parties and cherish his prized students, hoping to gain fame or fortune from being a part of their progression. It may seem despicable but Broadbent makes Slughorn such a charming, somewhat hapless character that you can't help but route for him all along the way.
Badass Dumbledore fighting Inferi
Badass Dumbledore fighting Inferi

As mentioned earlier, the special effects are one of the showcases of the film, but thankfully not the film's main trait like the last one. Dumbledore's battle with the Inferi is epic to say the least, and the Death Eater assault on the Burrow is quite frightening. Even the Quidditch match is exciting!! An establishment in the series I usually am quite passive about, Quidditch is given a new outlook with its seamless special effects and concise editing. The visual effects department shone again with this installment but thankfully it is just a complement to every other bright, shining aspect this film has to offer.

In the end, Harry Potter and The Half-Blood Prince is the best film in the series yet. Forget about any number or rating assigned to this; I believe it is the best movie of the summer. There are a few qualms that can be had such as the fact that nothing essential to the plot occurs until the very end, but this is petty carping that tarnishes an otherwise pristine crown. If you are a fan of the series, you will love it. If not, you will be entranced and possibly hooked to JK Rowling's magical world, maybe enough to read the excellent books. For the first, real time, the film matches the artistic merit of its counterpart.

4.5/5 Stars
43 Comments

Transformers: Revenge of the Fallen Review

Michael Bay's latest "film" is all about the unnecessary. It's unnecessary that there are so many nonsensical explosions in action scenes that have no coherent flow or direction. It's unnecessary that the actors have to scream every line they have, most notably Shia LeBouf. It's unnecessary that every scene with Megan Fox reveals cleavage or exposed skin. But, truly, that is one of the redeeming features of this mess of a movie and when her character isn't in the spotlight for the later parts of the film, this plan ends up biting itself in the ass.

Shall I discuss story?

No, because it is nonexistent. There is no sense of direction and setpieces change with such quick succession that you wonder if the editor and director have ADD on top of drinking speed-spiked Red Bull. There seems to lack a story structure and the ending is so cheesy that Mickey Mouse could smell it from a mile away.

The script and writing fares no better, or even worse. Characters such as the loopy mother who tend to be comic relief early on tire their welcome, staying on too long, each joke and line getting progressively worse. Of course, standard action movie crap dialogue occurs as well. After a "plane" gets activated by a Decepticon artifact, Megan Fox looks at the side of the plane where a logo is screaming, "It's a Decepticon!!!", just in case you did not already know. But, she was leaning over when that line was delivered so I believe I found its true value.

Even talented actors like John Turturro can't save this mess. He chews the scenery, for sure, but his character's writing gets even worse as the movie progresses that you wonder if the writers for this film hired their prepubescent teens to finish it for them. However, I am not complementing any aspect of the movie, mind you. It starts as a screwed jumble of film aspects and devolves into a steaming pile of crap. Actually, I'm going to use the word "shit" because that better matches its quality.

But I'm just being a grouch, aren't I, trying to nitpick the small details but overlook the awesome action, right? Well, no I'm not. Sure, there are a lot of flashy CGI effects and sounds, but the action scenes are so poorly choreographed that is hard to appreciate. The fitst movie at least had some slick action scenes that both looked and performed well; this one does not. Metal is scraping and clashing all over the scene, but the simple fact of "who's who" is lost in the design. I would frequently wonder what robot is fighting another, but before that is resolved, BAM!!, another battle occurs. It's as though Bay designed to cater to the shortest attention spans possible, to people not even interested in simple aspects like, well, WHICH robot is WHICH?? Or, WHY are the fighting? How about my favorite, WHY am I supposed to care when *spoiler* dies? Because the weepy, sad music is playing? That and because Shia LeBouf and Megan Fox are sad. Of course, a shot of sad Megan Fox does not go without a pop of flesh. This movie cuts NO corners.

Considering this is a Michael Bay film, this should come as no surprise but the movie is racist as well. There is a new pair of robots who get introduced that belong in the same, prestigious leagues as Jar-Jar Binks. Trying to be ghetto, hip African Americans, these two characters are annoying and insensitive. Fulfilling every black stereotype known to man, this duo makes this film even more shameful that is has to turn to racist jokes to get laughs out of the audience. Which makes me wonder who the audience for this film is. It certainly is not the fans of the animated series; they were scared away by the first movie. It's not for the older crowd or movie buff type. I guess the only option left is the young, teenage crowd who knows no better. To the people who geniunely enjoyed this "piece of cinema," I hope you come back to it in two to three years and realize your mistake. Only then can we have the good, deserved movies come on top again.

The beat part of all of this? The movie is two and a half hours long. Yep, your brain will lose its intelligence for over 2 hours and become a piece of mush by the movie's end. Apparently, an intelligent editing process was not considered for this travesty.

So, in the end, Transformers 2 beats it predecessor as one of the worst movies of the decade. Yep, Rolling Stone is right!!! It's a shame because this piece of crap is raking in the miilions currently, having one of the most successful openings of all time. Really? This is what the public likes? We may be going downhill at a quicker pace than I imagined.

Truly, Transformers 2 is like one of the worst drugs imaginable. It supposedly is the "new, big high," but once the pill is dropped, the user feels nothing but nausea and pain. Worst of all, this "high" lasts longer than needed and when the trip is over, the user finds him/herself on the curb of a street, next to his/her own vomit while bleeding profusely.

Does that sound like a good time? I really, really hope not.
8 Comments

Review of Up

The mere fact that I did not move one muscle while watching Up must speak to its quality. From the beautiful opening to the optimistic end, I was entranced in Pixar's latest masterpiece.

The reason that many accolades are already being placed on this film is most likely due to its wonderfully done, sad and fascinating opening. We meet a young Carl Fredricksen, absorbed in the world of adventure, and sharing many of the same traits with an energetic young girl, Ellie. Very talkative and animated for her age, she contrasts to the taciturn Carl, but their thirst for adventure leads with the two being together for many years to come, shown in a, I dare say it, perfect, silent montage. Carl (voiced by Ed Asner) ends up being a widower through a tragic turn of events and is living his life alone. Forced to evacuate his home and surrender his dignity to a retirement villa, he ties balloons to his house and sets off to the adventure that never was, Paradise Falls in South America. His trip, of course, is interrupted by a determined Wilderness Explorer, Russell, who happens to be a stowaway for the trip. What follows is the typical Pixar magic.

The two goofballs of the adventure, Doug the dog and Kevin the...bird, are discovered and get involved in adventure the two have, undoubtedly getting them into trouble. Carl also finds his childhood idol in a new light, a tad different emotionally and mentally than he was years before. I don't want to give away too much because there are many surprises to be had and the suspense doesn't let up until the very end.

It is also worth mentioning that the Pixar short film that lead into the main feature was also excellent, as usual. Entitled "Partly Cloudy", the short was silent but still packed with emotion and humor, similar to the opening of the main feature or Wall-E. I may say that the short film is the best that I have seen them ever do, which is no short praise considering classics such as "For The Birds".

All in all, you would be hard-pressed to find a better movie this year that is not Up. Pixar continues its streak of perfection with this masterpiece and I may even call it the best Pixar movie to date, if not for the fact that Wall-E still comes to my mind whenever this thought comes into my head. Nonetheless, Up is a 10 out of 10 and a natural progression for a studio designed for perfection.
9 Comments

Listening To You

Well, I haven't properly blogged in awhile, but I am here to talk about sound quality in games, movies, music, and, subsequently, my birthday present:  a Bose Cinemate sound system.

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I would consider myself an audiophile that doesn't want to spend like a madman on equipment. So, if I go to an Apple store, Best Buy or something of that sort and see a decked out sound system, I am going to check it out and not leave until I have had my fill. Yes, one time I watched approximately the last half of Raiders of the Lost Ark in a Circuit City. I don't think my parents were happy with me that time. Nonetheless, I really appreciate sound and its design, but I never get the proper experiences to witness them in all its glory, at least on my own accord. I am a musician, as I play the alto saxophone and am starting to pick up the guitar. I also am a huge music junkie, with my CD collection filling up two, 8-foot tall shelves and my iTunes library numbering in the 10,000's. So....I like music. And sound as a result of this.

OK, enough about my likes and dislikes, blah blah blah, how is that sound system you are thinking? Well, so far, I am blown away. For $499.99, I have yet to come across a better bang-for-buck ratio for a home theater system. I looked at a nice Yamaha system as well, but, even with about 6 speakers, the clarity and bass-centered sound did not come close to Bose's system shown here. For the "test", I popped in a bit of Bad Company and witnessed its excellent sound design in a proper way, and I plan on playing Dead Space again to see how this will make a difference. I also logged a few hours into Fallout 3 with these speakers cracking, and, wow, does it make a difference. I was currently in a Party Chat with one of my friends over Live when I saw a Yao Guai, threw myself into vats, and threw a few grenades and that was that. The volume was loud enough that he heard the familiar sound (he already played it I believe 2 times) and later, I talked to a Ghoul and that raspy voice caused him to cringe. It was pretty hilarious actually. Oh, and to you Fallout vets out there, I leveled up and got the Animal Friend perk, so that Yao Guai encounter shouldn't be a problem anymore, eh?
My set-up
My set-up


I also watched Alien (the first) with a few of my friends and that was impressive. I already saw the movie a few years ago, and I was surprised how such an old audio track (1979) sounds this good this many years later.  However, I'm talking purely movie talk right now, I think I just prefer John Carpenter's The Thing to Alien, as it is a bit more entertaining, gory, and, at least I believe, scary. And my copy of the Thing is on Blu-Ray so that is a bit of a bias. Nonetheless, both are great movies and I did play both of them on my sound system and I did witness some great things happening.

Anyway, besides from playing some Rock Band 2 and watching The Office and 30 Rock, that has been my experience so far with my sound system. The two speakers are currently resting on top of my PS3 and next to my 360, and the distance between them may be too little, but, oh well, it still works fine for me. And my room is sort of small so maneuvering them around will be a bit archaic.

Between the axes
Between the axes

So, that is my blog. Hope you enjoyed it, and feel free to post your experiences about sound quality, sound systems, Dead Space, Fallout 3, movies, all that good stuff. See you around.


* Oh, and I did another music reference as my title. Not a hard one, mind you. It's just my favorite band, and I did the same for my last proper blog as well. I might be saying too much.
17 Comments

Watchmen Review

The forums are already clogged as it is with these, so I will just post this to my profile. Give it a gander if you oh-so please. It is going to be in my high school newspaper.



Based on the infamous graphic novel by Alan Moore and directed by Zack Snyder, the director of "300," Watchmen definitely has some hype surrounding it.  Pleasing loyal fans as well as appealing to newcomers is a must, considering the film’s massive $120 million budget and the possibility of tainting one of the most revolutionary literary pieces of the 20th century. The end-result is a movie that should please both groups, and it is an excellent film overall.


To start, Watchmen opens with two excellent scenes of their respective type. The movie begins with The Comedian's murder (played with humor and menace by Jeffrey Dean Morgan), and it is one of the most impressive action scenes in recent memory. The room the action is filmed in is dark but remarkably well lite at the same time, balancing the night setting and the comic book feel perfectly.  Each punch and crack is given another dimension due to the remarkable sound design and seeing this movie with proper surround sound is a must. The scene (and whole movie for that matter) follows closely to the comic but has its own flare that makes it familiar, though fresh and original at the same time. Subsequently, the title credits come up, and it is, at least on my humble opinion, the best opening titles I have ever seen. A montage of past Watchmen lore using slow motion techniques and recreations of past historic events (notably one with JFK) blew me away. It is a remarkable beginning to a remarkable film.


Okay, there is more to this movie than just the introduction. In fact, this movie is quite lengthy, clocking in at about 2 hours and 43 minutes. The story still abides closely to the novel and could have used editing here and there, but, for the most part, it flows and moves in a way that does not seem unnecessary or overbearing. The great sound and visual techniques employed in the beginning carry on, and the result is one of the most technically impressive films in years, catching the 300 vibe while not overdoing it to the point of nauseum. Clearly, a lot of time, work and money went into this one.


The performances, with few exceptions, are top-notch. The aforementioned Jeff Dean Morgan does a great job with his brutal, joking character. Malin Akerman is also very good at her role, Silk Spectre II, and she is the lone hot chick in the superhero crew (with a brief exception). Patrick Wilson is fine in his role of Nite Owl, even if his physical build is much more picture friendly than the somewhat portly version of the character from the novel.  His post-superhero life is shadowed in early retirement, and he joins in on the action again quickly. He eventually falls for Silk Spectre II, and then, hijinks ensue. Billy Crudup also executes his role as Dr. Manhattan rather well, even if it is a boring character in nature. Still, he performs the emotions (or lack thereof) perfectly and is a real contrast to the rest of the dynamic crew. His origins story is also a highlight in the film, giving the static character some much needed humanity. However, the real standout here is Jackie Earle Haley, the man who plays Rorschach. His role is the standout performance of a film already bursting with talent. He completely becomes Rorschach, mask on or off. He adopts a late Eastwood-type growl and has great body language to go with his dynamic character. He is menacing yet lovable, and he becomes the character you root for until the very end. The only exception to the excellent cast is Matthew Goode, the man who played Ozymandias. The script somewhat skewed the original approach the novel took on him and his character is a bit annoying as a result, as his motives aren’t fully clear. Also, I was honestly annoyed by that haircut of his throughout the film, even if that may be an artistic choice and nothing else.


Another aspect of Watchmen worth noting is its content itself. For starters, there is a lot of violence and it I was shocked to see children under 5 years old walk into the theater. I am sure the high school crowd can handle it, but your little brothers and sisters won’t gain much out of this. Zack Snyder seems to love amputations of every sort. Another thing Snyder loves is sex. The pervert clogged 300 up with liberal amounts of unnecessary intercourse and, unfortunately, he does it again. Though not as much or as blatant as the aforementioned film, Watchmen still sacrifices plot development for some useless sex scenes that do not progress the film in anyway. However, as I said before, the high school crowd won’t mind one bit.


However, those are the only cons I can bring up about this film. In the end, Watchmen is a tight, well-executed movie that should please both newcomers and veterans of Alan Moore’s masterpiece. Technically, this film is near perfect with its visual and audio design, and the acting is sublime. The story does not deviate far from the source material (a smart choice), and, for the most part, the plot progression flows well, even when the runtime approaches 3 hours. Overall, with films like The Dark Knight and Iron Man filling theaters and pleasing critics, Watchmen continues this newly found tradition: the rebirth of the comic-book movie.





Hopefully you enjoyed this review and there were no problems with formatting, hehe.

10 Comments

A Quick One While He's Away

Hello all. I want to get into this whole blogging thing, so I am going to start simple: the typical, what I have been doing post. So, what have I been doing? Well,

  • Saw Metallica. I actually saw them a week ago today, but have finally gotten around to talking about it. It was amazing, and this was the first show I have seen from them. They played all their hits, with a heavy dosing of Death Magnetic, which was fine actually because it blended rather seamlessly with the rest of their catalog. They also performed "Breadfan" which I hear they don't do too often, so that was special. I downloaded their concert for free because they give you a token for that in the vault on their website. Pretty sweet. Oh, and James Hetfield seems like a pretty nice guy, as he greeted all of the "Metallica virgins" with open arms and made the whole presentation very organized. I was pleased with it.  Have you seen Metallica before and what have you thought of it?
  • In addition, I just saw The Wrestler last night and it was incredible. Mickey Rourke has truly risen from the dead because this performance is what acting is. He lived his story, yes, but added his own talent to make it appealing to watch, if painful at the same time. There is a brutal fighting scene involving thumb tacks, barbed wire and a staple gun that literally made me dizzy after watching it. But I still couldn't look away. It was just so compelling. After seeing all of the Academy nominees besides the Reader, I hope he gets this award. Well either him or Sean Penn. There are just so many great performances this year, but Rourke not only is catipulted because he is a comeback story, but also because he is a great actor. That's it. It is nice to see that talent sometimes wins in this world. Here is an example.
  • Also saw The Mummy: Tomb of the Dragon Emperor on Blu-Ray. Meh. It was ok...I guess. Nothing special.
  • Oh, yes this is a game website. Might as well talk about some good 'ol videogames.  I have been slowly playing Fallout 3, which is definitely a great game, though I have been playing it in a way that is most likely not the ideal way to do so. I have been doing too many side missions on my opinion, and not enough story, and all of a sudden the other day doing the "Those!" mission, I just snapped when realizing what I have been doing for all of this time. I was also freaked out by the fire ants who shot flames at me from over 20 feet away. Maybe that has something to do with it. Nonetheless, I am going to just focus on the regular missions now and play it like Jeff, who said that was the best way to play it as well. Still an amazing game, though :)
  • Also, I have been achievement whoring Fable II. With Knothole Island, I have 840 right now and expect to reach at least 1000 sometime soon. There are a few I won't be able to get (playing through it again for the different ending, dolls, keys, gargoyles), but there are a bunch of ones I know I can easily "achieve". Fable II is a fine game, by the way.
  • Last but not least, I have visited GTA IV again. It was my GOTY of last year, and it still is fun to just screw around with with cheats and all. I already felt the impact of the story so now I can go around on rampages and spawn Anhilators out of thin air. I think the game strikes a good balance between the two.

So, that is my blog. Hope you enjoyed it and feel free to comment. I will try to do this on a weekly, bi-weekly basis.

P.S. If you know what my title is from, you get a cookie :)
27 Comments

In order...

As of right now, Fable 2 and Far Cry 2 are my top priorities, and I have almost finished the latter and I am pretty far into Fable 2.  

In addition, a few XBLA games like Duke Nukem 3D, Braid, and the demos of Mirror's Edge and World At War have been sneaking into my playtime.

This week, I will be getting Gears of War 2 and Banjo Kazooie:  Nuts & Bolts with the free download token of the original on XBLA.  

I am gonna be pretty busy.
3 Comments

Of course I am

The new DS as everyone else has said looks awesome and I plan on buying it when it comes out and keeping my DS Lite.  I have had every iteration of the DS so far, so I might as well keep the one with the GBA slot.

2 Comments