Something went wrong. Try again later

Sankis

This user has not updated recently.

192 1 6 5
Forum Posts Wiki Points Following Followers

Sankis's forum posts

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

My name is Sankis and I'm famous on the internet

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

Is everyone determining the S value by ear? Or is there an easier way that I'm missing?

That's how I'm doing it. I'm not sure there's an easy way to do it outside of, like, comparing waveforms?

What I tend to do is start one video and listen until I hear something distinctive and I make note of the time. I start another and listen until I hear said distinctive thing and make note of it. Then I repeat for any other videos.

Latest Minecraft (2020-07-24) (Jan, Vinny, Jeff)

https://jetlag.space/sync.html?v=15953,15950,15954&s=1,35

Thanks a lot!

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#4  Edited By Sankis
Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#5  Edited By Sankis

I'm trying to set this up for Friday's minecraft stream but I can't quite figure it out. I understand that the ?v= section refers to the video IDs which I got from the embed screen. There's no issue there. Similarly, the &l= names the videos going from what seems to be clockwise starting at the bottom left. However, I cannot at all figure out how to parse the sync. In this particular instance I have them all roughly synced at a moment a bit less than a minute in

Vinny should start at 16s, Jeff at 52s, Jan at 53s, and Abby at 51s. However, I can't figure out how to convert that into something the &s= section will interpret.

Am I missing something super obvious? I feel like I must be.

Edit: I think I figured it out? Seems to require X - 1 entries where X is the number of videos you have, and each number seems to relate to the +/- sync of the streams.

https://jetlag.space/sync.html?v=15888,15892,15886,15890&s=1,-35,2,&l=Abby,Jeff,Vinny,Jan Not perfect but good enough for me, personally.

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#6  Edited By Sankis

Chance at a key would be pretty cool! Count me in.

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#7  Edited By Sankis

@Jaqen_HGhar said:

I am a huge Hitman fan. I got the first game when it was new, beat it over and over. I got the Silent Assassin Rank on every mission in Hitman 2 and Hitman: Contracts. I got a lot of them in Blood Money as well, but these days I don't have that kind of time to give just one game.

And I am having a blast with this game. Sure, there are a few quirks I don't like (the way people spot you from miles away if you are dressed like their faction for instance), but so far this is an awesome Hitman game. I have always liked the character, so a game that puts his personal story more in the front is awesome. If you just want the good old "kill this guy, get away" you got the Contracts mode to have fun with. And plenty of missions seem to have that anyway (only just started Part 2, so my feelings might change of course)

It also seems people misremember things from the old games, which makes Absolution seem bad. You could save anywhere in past Hitman games? Nuhuh. In the first game you had to finish levels for them to save. No mid-mission saving. In 2 I believe you had a limited number of save. While Contracts gave you as many as you wanted. And in Blood Money you got saves that acted like checkpoints. Quitting the game meant you had to start the mission over. Hell, Absolution is way more forgiving that those games when it comes to saving and checkpointing. (I might misremember how saving worked in some of these games myself actually, but I do know you could not save in Codename 47. Fuck those long and difficult missions.)

Is Contracts anywhere close to as non-linear as the previous games? Are there plenty of set items, tricks, etc to use to kill people or is it more limited in scope? The thing I liked about the past games were the many different ways to achieve any goal. If I wanted to completely blow my cover I could go in shooting. If I wanted to do it stealthily I could sneak in, evade every guard, and garrote my target; I could set a bomb on a patrol route, etc, etc. This is not counting the number of scripted things that could be done, either.

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#8  Edited By Sankis

Finally mostly caught up. You don't know how pleased I am that my statue got finished and had a golden dick.

Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#9  Edited By Sankis
@TadThuggish said:

P.S.: This is why news sites need to eliminate their comments section.

I sure wish this would happen :(
Avatar image for sankis
Sankis

192

Forum Posts

1

Wiki Points

5

Followers

Reviews: 0

User Lists: 1

#10  Edited By Sankis

@VinLieger said:

Stardock you guys used to be cool, what happened???

Oh and that guys a fucking moron for putting that shite in an e-mail

Nothing. They were always like this, we just never knew.

@Kidavenger said:

No Caption Provided

@Animasta said:

here's the test if you wanna check it out, it's real nice and totally not harassment at all http://www.armory.com/tests/100.html

Ya, that totally looks like he made her take it, not a friendly joke at all.

It must have been terrible getting that in December 2008 and having to work there another 18 months, what a trooper she was...

She making a mockery of women who have real problems.

Way to be a scumbag. I'm not really sure what else to say other than that you may want to check out the MRA subreddit to find other oppressed men to confide in.