@paulmako: One of my favorite songs of theirs!
2016 has begun! As was to be expected, however, the new music is trickling out pretty slowly thus far--only one of my songs this week is from this year. As such, I had to go back to a few songs from the end of 2015 that I didn't get around to posting. Still, each of them is unique and interesting: perfect for this thread! I hope you enjoy them.
Afterglow - FAKY (NON YT LINK!)
This song may start a bit slow, but it quickly launches into a dirty synth line that I loved immediately. After the first verse, the vocals take on a newly distorted/autotuned sound, giving them a haunting tone that fits greatly with the composition. Sadly, the chorus is a bit more plain and predictable, hurting what is otherwise a very memorable track. I also really enjoy the music video. It's set entirely in first-person from the perspective of a fan of the actual group performing the track, giving a rather uncomfortable look at intense fandom. Definitely worth a watch for the video alone.
Open Up My Heart - The Winking Owl
Everything from the style to the composition of this group/song seems imitative of early-to-mid 2000s pop rock in the US. Initially, the only things betraying the "true nature" of this group are the clearly Asian members and the slight electropop tinge to the opening bits. Once it settles into the meat of the song, however, it's almost indistinguishable in style and tone from a Paramore track. The vocalist even manages to sound quite similar to Hayley Williams (singer of Paramore) at times. It's a very different sound for a Japanese group--likely why it stood out to me in the first place.
PoW! - FEMM
I was very happy that the first notable song of 2016 was a new FEMM track! They were one of my absolute favorite breakout hits of 2014, and I had been eagerly awaiting their return. While this track is one of only two coming in a new rerelease album from the group in February, I'm sure it signals a flood of new videos for me to obsess over later this year. PoW! definitely isn't FEMM's best track--in fact, parts of it might even be among the worst. The usual punch and flow of the verses is gone: plain and paced in a way that I just can't enjoy, especially the incredibly offputting vocalization bits. The chorus (and later breakdown section) make up for this somewhat, enough so that I can enjoy listening to the song, but I can't help hoping that the next song is better. There's still some great style and composition on display.
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