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A game that has a very deep story full of deep emotions that barely conveys any of the plot, and only consists of 16 boss battles as your actual gameplay encounters. A true masterpiece of epic minimalism.
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THE first game I ever played that made me want to stay up for hours on end, trying to complete it. It was mostly because of the addictive quality of the dungeons and temples, and (more importantly for me) the aesthetic. The visual design of the world, the character, and the items, and the fantastic music associated with all of it is the main reason I was so drawn to this amazing game.
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I love Grand Theft Auto. I love westerns. I love Grand Theft Horse (this game).
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I like metroidvania-style games and all, but when it comes down to it, the aesthetic is the most important thing of all when it comes to this type of game. If I'm gonna be spending hours and hours going back and forth across a grid map, finding items and unlocking areas and gaining new abilities, it better bethe grid map for a very cool looking place with an awesome soundtrack attached to each area and each encounter. And the guy I'm playing better be cool as shit with the chance to gain some sweet stuff as he explores. In THIS game, you're the son of Dracula exploring his dad's creepy-ass goth castle gaining the ability to turn into all sorts of awesome things like bats, wolves, and mist. MEANWHILE, there's an elegantly synthesized soundtrack accompanying him the whole time. That's why SotN is the BEST metroidvania game.
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... This game is here simply because I love pieces of art that don't make any sense on the first, second, third, or even fourth observances. A third-person exploration puzzle game/stationary first-person shooter with an absurd soundtrack, an even more absurd, visual style, and EVEN MORE absurd story. Surreal-as-shit awesomeness at its best.
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A revolutionary title that brought forth the modern way of doing third person shooters that will probably never go away.
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