@themanunknown said:
@brodehouse:
Going forward, I think it would be useful here to distinguish both the sincere & earnest engagement & exchange of ideas from the mere consumption of media & stimulation through entertainment, and the parts of our identity we'd truly consider core from the elements we'd dismiss if push ever came to shove.
You're a sentence in and I'm prepared to hear you distinguish between real art, which conforms to upper class sensibilities, and 'entertainment', which makes those mindless proles happy.
90 years ago, middle class snoots would say jazz was just "consumption and stimulation" while their music was "sincere and earnest engagement". I bet you a lot of people would say that today about AAA action versus indie first person walkers. I care about folk art. I care about industrial art. I care about genre fiction and pulp and Harlequin and rasslin and everything else that upper middle class vanguards of the avant garde want discarded in favor of their specific cultural attachments.
seem to be moving towards this disposition that what religious belief one possesses is a purely genetic inclination
The majority of people worldwide share the religion of their parents. It is not for no reason.
where his or her preference in media and pop culture is certainly only the product of an abstract, isolated individual's preference. So far as I could be religious, it would be because I must have 'inherited' it from my parents, but my appreciation for Lady Gaga and Air Force Gator would be exclusively because I am an abstract, idealized individual, free from outside influence or bias, having preferences almost platonic in their purity.
You're creating a hyperbolic strawman. To say that artistic sensibility or enthusiasm for a medium creates more in common between two people than the circumstances of their birth does not necessitate this egregious gulf in effect that you've created. It merely means what it means. You want these interpersonal connections based on shared cultural experience seen as "trivial" next to things people have comparatively fewer choices regarding. I don't think that holds. I think you and I being on this specific video game website that does things its specific way is far less trivial when it comes to who we are than the fact we may share race or gender or orientation or religion or anything else. I'd suggest that us sharing a race is trivial, but us sharing enthusiasm for Giant Bomb is meaningful.
Setting aside the sarcasm, with apologies if I offended there with, I mean only to here suggest that it is not a little disingenuous to dismiss religion and politics as something so predetermined and immutable for us as to render them factors over which we have no control
Did not happen. I didn't include politics because you do make choices about politics. It is worth mentioning that what the nation you happen to be born into does cast a great deal of influence over your politics, as much as it does the nature of the artistic sensibilities and cultural attachments.
Indeed, let me remind you we are discussing a medium and its associated industry which drops millions and millions of dollars on advertising as readily as one does the metaphorical hat, and every one of those dollars directed towards effecting an interest in individuals like ourselves.
... thus indie gaming is a sham..! What? There are people making art in this medium. There are people making art for money in this medium. Michaelangelo got paid for what he painted, and what he painted was what he was told to. The Catholic Church wanted Michaelangelo to paint exactly what they wanted him to paint, and he did. And clearly the Catholics thought it was best for business. You're not ready to discard the works of Michaelangelo because a lot of florins were involved in the construction of the Sistine, I'm not ready to discard the work of some artist, or some studio of artists, because they sell their art for food and shelter.
Jen Zee is an artist. She makes graphic art for games for money. There's no reason for me to treat her work any different because Warner Bros marketed Bastion and maybe the marketing made me think Bastion's art was pretty...
Want to know something else that might blow your mind? There's tons of meaningful artistic design in the marketing that surrounds video games. Even the bad examples reveal the process that goes into artistic design. The construction of those little E3 demos have as much meaningful artistic design as short films; they're designed to "merely stimulate" an audience to a desired place within 90 seconds. The process of putting those together is as much an art as the game itself.
But don't for a moment suppose it is meaningfully less genetically fallible than the tacky old immutable identities you may or may not be inclined to dismiss. In the end, I am still left convinced there are things more worthy than others of being elevated to the core of our identity.
I will take 'gamer', as a simple way to communicate to others the nature of what moves me, over a lot of other things. I'll take 'gamer' before my race, gender, orientation, or any circumstance of my birth. I live in a country full of Canadians, and I wager that I have more shared cultural experiences with people of all ages shopping in a retro game store than I do with Canadians in general.
I seem to have given the impression that resonant ideas and moving mediums of expression are not worthy of being considered significant. I apologize for my failure in communication. Let me clarify my thoughts on identity.
Aha well. Should I put a big strikethrough over my irk with them being called 'trivial'?
There are some elements of our experience which I would argue are so central that to remove them would compromise our very conception of ourselves. That is to say, X is so important to me that I would have a enormously hard time recognizing myself as the same person without X. It is very easy to see how race could fit this sort of quality, since altering one's race would so transmogrify their life experience thitherto—in America, at least. You might dispute how well nationality fits this bill, but I would caution against mistaking any identity as insubstantial sheerly for being difficult to articulate.
I think the nature of what you're talking about is a little removed from my comment. There was no point where I talked about the circumstances of one's birth having nothing to do with their personality. My position was merely that you are ranking shared experiences outside of one's control as being superior to those experiences people have themselves. That sounds too deterministic to me. I feel it's in fact reversed.
My race and gender are a matter of physical evidence, my opinion on an idea or a cultural icon is entirely emblematic of the personality I have formed. It would be impossible to know my opinion until I form the opinion; my race and gender can be known through observation. Yes, there are a myriad of influences on that personality, but what that personality understands about itself (ie; its opinions) should trump that which we can merely obtain from observing it. Even if someone only likes jazz because they're a big poser, I bet you they'll find more in common with other jazz posers than they will merely because the genetic lottery works the way it does.
Anyhow, I suppose what I mean is to question just what it looks like for a hobby or medium to legitimately overtake someone's identity to the degree a lot of these historic institutions have in the past.
That essay is interesting and I might like to read that in full tomorrow.
I think it's worth noting that his reference to shared cultural experience being handed down generations; I don't think that's much different from the majority of art disciplines that people resonate with and identify with. I'm afraid I feel that Romantics have a deeper shared experience with other Romantics (and likewise for Expressionists) than Germans will with other Germans. An agnostic vaporwave producer will have a deeper shared experience with a Buddhist vaporwave producer than they will an agnostic gardener. Etc. (I feel as if I've repeated this specific argument form too much in this post, so I apologize)
But I do not think we have yet seen what the gamer equivalent of these sorts would be; the kind of person so transfixed by the medium that he could not have existed at any point prior in all of history, or at the very least it would have been a tragedy had he been so prematurely born.
Isn't this just Jeff Gerstmann?
THESE ARE WORTH MONEY! THESE ARE WORTH- MONEYYYY!!
At the very least, the demographic of hostile and abusive 'gamers' of which we see these many writers decrying and dismissing as toxic do not constitute any such example. They have not found what there is to find sacred in video games, and instead they have sanctified their mundane and vulgar qualities.
Oh ho! Well, we'd best stop those primitives doing the Charleston before they contaminate the whole community!
Sorry, that one felt a little too hoighty toighty. Focusing on what people do is more important than focusing on what they are. When Ryan Davis wailed with enthusiasm after a crazy fucking explosion, I'd would not suggest he "sanctified the mudane and vulgar qualities" of those video games. I'd also suggest that he wouldn't "dismiss these elements when push comes to shove" either. Some people prefer Frank Frazetta to Claude Monet, and they do it legitimately.
Log in to comment