saddlebrown's The Last of Us: Left Behind (PlayStation Network (PS3)) review

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A wonderful but flawed piece of storytelling.

I beat The Last of Us in one sitting my first time through. I don't recommend it. It's a dark, grueling experience, but I needed to see it through. Shortly after, I started it again, this time on Survivor difficulty. I just barely made it out of the sewers with almost zero health and zero supplies. I needed to take a break. I never picked it back up. Until Left Behind. And I'm so glad I did.

I wouldn't have thought I would care about Ellie's backstory, about Riley, until I started playing. I had forgotten how fantastic Naughty Dog is at storytelling. It's never really about the overarching plot, but about the particulars. It's how the characters look at each other, what they say, how they say it. It's about the little inflections in their voice that tell you everything you need to know about that character's place in the world.

It fills in a gap in the story that didn't really need elaborating upon but gets the treatment anyway. Joel is hurt and Ellie has to save him. Nothing interesting happens in that section, just some combat that reminded me of why fighting the infected was such a letdown in the main game and why fighting regular humans is so much more tense and satisfying. I chose to play it on Survivor my first time through and that's on me, but regardless, the very first real combat encounter I got into almost had me put down the game. It gets better later as more humans enter the game and the encounters get more dynamic.

The gap that Left Behind elaborates upon to greater effect is Ellie's past with a friend named Riley, and this is where Left Behind got much more interesting. Riley and Ellie constantly hint at their history together, never quite touching the subject, in a realistic way as they explore a mall and dream of a pre-Cordyceps world. For me, though, this is also where Left Behind drops the ball the most.

Unfortunately, there's no good way to talk around it, so we'll have to talk about a spoiler.

Are you ready?

Okay.

Ellie and Riley's history turns out to be a romantic one that culminates when Ellie kisses her. It's not much of a surprise given their chemistry or the hints that get dropped, and it proved a heartfelt and extremely well-executed scene, which, again, is not surprising. But here's the part that bothers me.

To me, it feels disrespectful to reduce Ellie's sexuality down to a post-game plot twist. It felt a lot like reading J. K. Rowling's comments that actually, as it turns out, Dumbledore was gay the whole time. It's fine for Dumbledore to be gay. That doesn't make me uncomfortable. The problem is in the delivery. Telling fans after the fact means that it changes everything in retrospect. Now you cannot read Harry Potter in the same way and, sure enough, I can't play The Last of Us in the same way either.

After I finished Left Behind, I loaded up my Survivor playthrough of the main game and pushed forward a bit. Since I left off after the sewers, Joel and Ellie were still partnered with Henry and Sam, which immediately brings Ellie's sexuality to the forefront as her interactions with Sam beg a further series of questions that never once crossed my mind before.

This isn't the first time The Last of Us has treated a character's sexuality as a twist. A side character, Bill, was revealed to have a partner that was implied by the end of his arc to be his sexual partner. I was fine with that twist because it was a subtle detail that worked to challenge my assumptions of the character based on his gruff, Southern demeanor and spoke volumes about the nature of that world and of what companionship really means there. I'll admit, you could certainly make an argument for Ellie and Riley's relationship working in the same way, but with Ellie being such a principle character, the feeling that it was nothing more than a cheap reveal to play with expectations without nearly as much of a point lingers.

It's unfortunate to me that that ends up being the most important part of Left Behind, the part that sticks with me as the new "revelation" to take away. Ellie is a lesbian, or bisexual, or maybe sexuality as we know it just doesn't exist (or matter) in that world anymore. And that's fine. I just wish her sexuality as it were hadn't been treated like a twist. If there had been more of a hint of that in the main game, her relationship with Riley would've been even more touching. There was no reason to cloak it until the last moment. They should've embraced.

Yet, to Naughty Dog's credit, the story is still a heartfelt and worthy companion to The Last of Us, one that fills in a gap that didn't really need to be filled in, but I'm glad they did.

Other reviews for The Last of Us: Left Behind (PlayStation Network (PS3))

    Left Behind Didn't Leave Any Quality Behind 0

    The additional content to The Last of Us is to fill in on a part of Ellie’s story that wasn’t shown in the main game. She is, still, the star of the show with a performance as incredible as during the full story. At first, I was a bit off on Riley, I thought they were trying too hard to make her be the way she was written. But in the second half of the game, I started to enjoy her more when her interactions with Ellie started to have more meaning.That’s one thing that I really ...

    2 out of 2 found this review helpful.

    A fantastic little origin story that is vital for fans of The Last of Us. 0

    Don't let the image fool you; there's a healthy amount of humour to go alongside the game's suitably grim coatingMany months have passed since the release of The Last of Us, which still stands as my favourite game of 2013, and one of my favourite games across the whole previous generation. Left Behind, the first and sadly last piece of single-player DLC, is also some of the best DLC I have played in recent memory.Focusing on the ever lovable Ellie, Left Behind gives you two separate stories, eac...

    3 out of 4 found this review helpful.

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