@wonderva: Ya. I think you can look at it historically, see it's impact, and respect that, but it's not like TV that is well regarded now. It's a show that is completely necessitated by its own short term premise. This was common when TV shows having an ongoing story line was much newer, or more aptly different, than it is now. You can look back at television history to see it's marks: The fugitive, Dallas, Twin Peaks, etc... I personally wouldn't call them successful shows as a whole, though.
They all leave their mark because of their premise being a good draw, but ultimately the draw is to small for the show to be interesting throughout. Bare in mind that for a long time TV was necessitated by how many people see the ads around the show. So a good draw is what shows worked with, more so than just being well defined as a whole. I mean; how long can you go on asking "who is the one armed man" and still be interested by that concept? Back then the draw was "will they answer it this episode?" Yet, even then it wasn't the show itself that was a big deal, but rather the premise. Dallas, for example, had it's best ratings when they answered it. That's all that most people cared about.
That's not to say Twin Peaks (or even those shows like it, before it) is bad, or even that people can't still respect what it did for TV as a story telling medium. It was a good idea for ratings at the time, but it wasn't enough to carry the show further. It's possible the show could have morphed into something more, but due to differences (possibly artistic, I forget) David Lynch left the show and the show kind of loses track. He came back for the movie, Fire Walk with me, but by then it was kind of to late (and really you can't go back to a project and expect it to be the same; your mind is somewhere else by then).
I feel it still holds up for me because it's the most artistically driven TV show (at least for a while) that I've seen. That definitely wasn't common at the time. The dreams sequences are total mind fucks, and the cinematography is genuinely larger scope than most TV shows of the time. The pilot is also very well written. I just think the show wasn't fleshed out enough to be truly successful (just from a singular narrative standpoint) and possibly too ambitious. TV wasn't made to carry ongoing plots at the time. Shows like Star Trek were actually rare, and if you look at those narratively (the original Star Trek and maybe a little bit even TNG) you can even see in those that each episode is more about the episode rather than their show as a whole. There wasn't a lot of call back even though the characters were the same. It was about the episodes stories more than the narrative of the whole show- much more like anthology shows but with the same cast every week.
It's a much different mindset now. Twin Peaks is one of the first shows (not the first, just one of the first) to attempt an ongoing narrative through the length of the show. Unfortunately it wasn't a very strong premise.
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