The first half is kinda like like Gath Marenghi's Dark Place, but the gags aren't gags... but yet they sort of still are gags, but not. Most unique movie on Film and 40s yet.
The music video for the song 'Юлия Савичева – Привет', which we hear in this episode, is set in the trailer of a small toy semi-truck making its way across Europe.
Citadel DLC before the end has a sort of poignancy to it, when the fate of the universe was still in the balance, that I think maybe wouldn't play as a post script kind of thing. I'm avoiding referencing a TV show with a famously lame ending that playing the DLC post credits would have the same vibe as.
Roller Disco chat going into She Is a Maniac really vividly brought back an image of Grampa John skating around to it, with his "Clinton Free Zone" badge and America themed hardhat over the end credits to a 1997 BBC documentary Louis Theroux's Weird Weekends: Survivalists, aka Head To The Hills.
23 years later its Grampa Johns world. He'd be loving the global pandemic and everything else, eating beans in his bunker.
Clip of credits from a show from near a quarter century ago https://www.youtube.com/watch?v=Dxgahmg0Zu8
@mellotronrules: that'd be a mighty, mighty pretty sight to see. Take the E3 night couch down to Lafayette, all the places they ain't been to yet. See the world and never leave home again.
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