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BrunoTheThird

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BrunoTheThird

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#1  Edited By BrunoTheThird

@ezekiel: If it's version of The Killer released by Vivendi's "Dragon Dynasty", a few of their blu-rays are not transferred from the original sources (some rumours suggest they might be based on PAL versions), and not even in 1080p. It's 1080i. Yuck.

I have no idea why the Netflix one is better, I haven't seen it -- maybe they touch up their sub-1080p content for modern screens somehow -- but it's never looked great from my memory. My Criterion DVD version looked iffy even in 2002 or whenever.

I'd love to see the guys watch it though. Ridiculous film, but so good.

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BrunoTheThird

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BrunoTheThird

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The Raid

Kung Fu Hustle

Hard Boiled

Battle Royale

Akira

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BrunoTheThird

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#4  Edited By BrunoTheThird

Black Star - Bowie. A jazz-infused, dark masterpiece with haunting vocals. Nothing to do with his death; it's a dope and clever song.

Rosemary's Baby - Fantomas. Crazy. Mike Patton humming the theme to a controversial film with Buzz from the Melvins on guitar...

Ain't That Easy - D'Angelo. His unusually layered vocal harmonies and almost off-beat music gels in a really unique way. Love him. Genius.

Bela Lugosi's Dead - Bauhaus. This is like a slowed-down Dead Kennedy's song but with gothic, swinging, cool vibes. It really culminates into a brilliant climax. One of the best songs ever.

Nannou - Aphex Twin. Nearly every aspect of the song -- percussion, melody, ambient noises -- were done on a music box.

Xen - Arca. There are fragments of motifs and phrases recognizable as music amid a mire of sordid emotions. Very clever.

Trans Europe Express - Kraftwerk. Hugely influential tune and band. Sounds like a dystopia condensed into sound. Electronic music on electricity. Meta, yo. Weird at the time, anyway.

If you like any of those, I have lots more I like. I didn't want to name too many.

Edit: Couple more.

Open Heart Zoo - Martin Grech. Gotta hear it.

Pendelous Skin - Mastodon. It turns into a gorgeous, syrupy song with gibberish (literally) lyrics at the minute mark.

Water - Yowler.

Stranger than Kindness - Nick Cave

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BrunoTheThird

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That Citadel DLC, oh man. Best part of the series. The music by Clint Mansell is also kind of incredible.

My only disappointment, being a Londoner, is how boring future London looked.

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#6  Edited By BrunoTheThird

82. Compared to the original trilogy's scores on 360 -- 91, 96, and 93 -- that seems fair based on my time with the minute trial. I would give that chunk a 75, personally, which is still a game well worth playing in my view.

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#7  Edited By BrunoTheThird

I say hell no to a reboot, but something new along the lines of The Animatrix short stories could be cool. Something more minimalist and artsy and heart-felt and funny. A movie adaptation of the "Beyond" Animatrix short directed by Richard Linklater, much in the same way as Waking Life but more cogent, would be a wet dream come true.

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#8  Edited By BrunoTheThird

Writing-wise, the pace of the story's introductory hours is very fast in a clunky way. Characters are introduced in passing or in ham-fisted ways (Vetra walking right up to you and giving you bullet points of her personality without you even asking, PeeBee collapsing onto you then being in your party half a minute later, etc.)

Leaning heavily on the fact you're a pathfinder every few sentences or quicker, when that title doesn't seem quite as awe-inspiring as they intended, jars somewhat too. That'll not be a big deal when you've done some major things in the story, however.

The lead writer is the Halo 4 guy, in only his third writing credit after Halo 4 and Destiny: Rise of Iron, and that game also suffered in similar ways. It barely feels like a Halo game from some angles, but the Master Chief/Cortana exchanges were decent. The world-building or extensions he added to Bungie's universe felt off (that weird vampire-looking villain was so out of place), though that's less true in Andromeda. It definitely has Mass Effect-ass stuff in it, but the pacing and, "We got this," shit and less-than-subtle character introductions are my personal bugbears. Once you're out of that rough start and into the swing of things, the writing starts to sink into the background a bit more (in a good way), and the simpler ambient conversations do their work. Once you know everyone, I wouldn't be surprised if it comes together more cohesively and isn't an issue. We'll see.

Compare all that to Mass Effect 1's method of introducing you to people as they interact with others (Wrex fighting in C-Sec, Garrus disagreeing with a superior, Tali's dodgy dealings with some of Fist's lackeys in that alley, Saren and Nilus' weird exchange, etc.) That isn't masterclass shit, but it succeeds in making you think, "Woah, who's that?" in interesting ways without them feeling like they were scripted to land right in your path. I'm confident they will pick it up, however. It's just not the best intro.

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Completed my 100th shrine in Zelda, found all the memories, completed my compendium, found 200 Koroks, beat the main dungeons, and only need to storm the castle now. Just cleaning up the few side-quests I haven't done and then it will, sadly, be over. I don't know how long I've been playing. I'd guess 75 hours. I scoured every area extensively. I'm amazed there are 700 more Koroks to find, but I have no desire there. Great game!

I'm also playing Call of Juarez: Gunslinger, Alpha Protocol, and Furi.

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BrunoTheThird

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#10  Edited By BrunoTheThird

I really liked Luke Cage. Amazing soundtrack, and the death of (spoilers) Cottonmouth was extremely well done. Alfre Woodard is utterly captivating as the crooked councilwoman.

They can lean into the absurd comic book shit all they like in my opinion. I was into it more than any of the other Marvel shows which come across way colder and cornier in my opinion. I get so much warmth from its cast.