@tartyron: as the resident patient of this thread, I disagree with the idea that one could take the side of the artist too soon. I believe every artist of a certain ambition should feel free to follow their muses into the spaces they lead. I also believe consumers ought to be allowed to enjoy said works regardless of where said art emerged from or what its creator stands for apart from the work itself.
(Here’s where I say this wasn’t aimed at you so much as the ongoing discourse about workers and employers as I take my favorite gamin’ media types to default to. Anyway, next is a paragraph that begins with”but”!
But having done the work as a critic/interviewer of musicians in a former life (2007-2013 or so) I’ve found it pays to let creatives and, ugh, clericals play at matching bows. The artist can often raise very valid complaints about the nature of their work while also exaggerating their lack of complicity or sense of financial abandonment.
Personally this just immediately smelled like a furiously potent social media broth the content chefs forgot to let (or y’know, were pressed by the SEO) chill in the fridge overnight. The fundamentals, in the grand abstract, of what she’s talking about matters. If her belief that this is a 500,000,000 copies sold franchise, Taylor oughta scrap for every piece of that pie she thinks she’s owed or deserved.
But she also pays dues to a collectively bargained union, and provides one of many several aspects of a character who’s ultimately starred in just two games with a few cameos. For a publisher who has made a name for itself on mostly mercenary, second party projects that emphasize efficiency as much as ambition.
Which is to say, I’ve never felt that Taylor’s argument as a worker was unjustified. In an industry/global society of financiers and their sons, the worker never gets the respect they’ve well and truly earned. And the employer is impressively capable of disrespecting the worker come time for a raise or any other such recognition of value.
But employers didn’t imagine dramatic effect; in fact, they’re often too dry by half to get so creative in n their own. Especially, again, if their business is to regulate loans and payments to actual creatives.
Which is all to say, when you have actual first or second hand information about a civil/social misdemeanor, speaking up and out should be a encouraged at all costs. But advocate consumers ought to approach said criticism with the same rigor as the text(s) that led them to consider adding a voice to advocacy, because it will always be far too easy to locate and emphasize disagreeable allies if the only critical lens is rooted in the same righteous soil.
Log in to comment