My Letterboxd thoughts. Summary: It's a fun, breezy watch, but deeply flawed in many ways and arguably not much of a Matrix movie, not really. There's nothing specific about the story other than some characters you might not have expected to see in here if you're spoiler-averse, though it does assume you've seen the movie of course:
At times a viciously angry indictment of modern video game production and at others a saccharinely sincere ode to love and destiny, it's clear Lana Wachowski had something to say when she finally agreed to return to the Matrix IP. Unfortunately, she possibly has too much to say, and without her sister's collaboration (or merely due to the passage of time) she no longer has her fastball visually. The end result is a movie that often feels like a fan film, or a CW show on steroids, every clever shot or bit of dialogue undercut by a clumsy edit or terrible line delivery.
I get that I'm supposed to hate Jude, the handler program who oscillates wildly between assistant, stranger, wingman and horse collar, but it's been a long time since a performance made me hate a performer as much as I'm now repulsed by the name Andrew Lewis Caldwell.
When you pull up the IMDb page and realize that, yeah, most of the new cast are television actors, you just gotta nod your head in silence.
I dunno, man. It's not as outright corny as Revolutions, nor does it wade too deeply into the "real world superheroes" motif that nearly strangled that effort to death, but Resurrections also spends so much time arguing that it's endeavor is effectively ruthless nostalgia bait (which often reminds me of another Warner Bros. IP revivification, Space Jam) before getting around to a movie that looks and feels like a weary, old rock band playing all the hits that none of it feels particularly special or weighty.
The biggest disappointment being that this movie has a lot of ideas, bunches of sincerity and some real anger to get off its chest. You can see it like tiny traces of source code all throughout this movie, begging for a clearer vision and stronger purpose. You could even go galaxy brained and argue this is the subtext of the film, that weaponizing nostalgia to deaden present trauma can be useful in small doses but ultimately not nearly as powerful as accepting life will never be like it used to be.
Alas, there's this whole ass interlude about how humans grow strawberries now. The humans vs. A.I. conflict was only ever interesting insomuch as it added another layer of stakes to their goings on inside the Matrix; I think we can universally agree that the Machine War inside Zion is the nadir of this franchise, yeah? Wachowski refuses to let dead dogs lie, as is her wont, but I find her solution for Morpheus confusing and her need to embarrass Jada Pinkett-Smith in front of the world admirable and misguided.
Whatever, it's fine. I watched this at home in 4K UHD with Klipsch THX-certified speakers and sat about three feet away from the TV so I could really feel it and figured if it was dope, I'd check it out in theaters later today. It's not, it's a mid-ass movie with big ideas and plenty for viewers to take from and add to on their own as they see fit, but what's actually on the screen and on the page is a bit of a mess. I give a bit of leniency to this only because you can see and feel the reasons Wachowski agreed to make Resurrections at many points throughout its runtime, and those reasons are valid and even emotionally stirring.
It just doesn't make up for a movie that looks as generic as this one does and comes off as fan fiction made canon, even if that fan fiction is coming from the creator of the original work herself.
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