And then there were five. This process of covering all the best games year by year has been enlightening, as its forced me to really get a fuller view picture of how far gaming has come, and where it still falls short. Of course, it also made for some tough choices, as great years in gaming seem to cluster, while some years...well, just don't really measure up.
This last list was especially interesting because it is the only set of time I might consider myself a "serious" gamer, interested in game design and various aspects of the so-called "industry." I started listening to 1Up Yours during E3 in 2006, and have been an avid listener to various gaming podcasts ever since. All of which is to say, this is the only list of games I really fully remember learning about far before their release. They are games I heard of, then saw, then played, then formed an opinion on. Thus, I feel that these opinions might be the most fully evolved and certainly the most fresh.
But lets get on with the list.
2004
Half-Life 2 (PC)
Well Hey There The narrative of Half-Life 2 is never fully explained in torturous exposition, which is naturally why it is so compelling. The story of Gordon Freeman waking up in a dystopian future with little understanding of his surroundings creates a perfect backdrop for Valve's effortless shooter masterpiece. The pacing of Half-Life 2, with its puzzles followed by combat followed by puzzles that lead to more combat, continually pushes you forward. The characters you meet are well-defined without feeling like creations. The world is one of horror and wonder, with Gordon constantly uncovering more broken segments of the Combine's manipulations. The game is essentially one unbroken shot, a trademark of Valve's games, that briskly moves along. One of the greatest testaments to Valve's design is that it proves that linear game design is not a fault, but a skill, offering a game that is the creation of master auters at the height of their craft.
2005
Psychonauts (Multi-Platform)
Don't Mess With Raz It is a bit (okay, really) difficult to make out, but my avatar is actually a screenshot from a fictional demake of Psychonauts for the Game Boy. The Milkman Conspiracy level to be precise, which is just one example of one of the games highlights. While many better 3D platformers have been made from a purely mechanical standpoint, none have a core concept quite so fascinating: every level is the psyche of a game's character. This includes the portion of their personality that they want you to see, and the pain and torment they have locked away. Supported by the genius writing of Tim Schafer and Eric Wolpaw, the game offers surprisingly rich portraits of complex human beings within the guise of Tim Burton inspired grotequeries. The resulting experience is amusing and thought provoking, and is in turns moving and disturbing.
2006
Guitar Hero 2 (Multi-Platform)
Getting the Band Together Yes, it is hard to remember when the whole peripheral guided rhthym game genre was still novel. And yes, 2006 wasn't exactly a watermark year for gaming. But Guitar Hero 2 is still a high mark for the series, mostly because it introduced the concept of playing together, either in co-op or in competition. It provided the first hint of what it felt like playing in a group, and offered a soundtrack of fairly shredtastic tunes. Most importantly, with its new outrageous characters and bloated venues, the game fully utilized the rock-star-simulator aspect of the original game to the umpth degree. While the ongoing Rock Band/Guitar Hero war becomes more and more grating as days go by, this second entry in the then-unknown battle is most likely the zenith of the Hero series. It built upon the excitement and promise of the original, and offered a basic blueprint for where Harmonix would grow next.
2007
Portal (Multi-Platform)
Try Not to Vomit If Half-Life 2 is a bold, inspiring attempt at reimagine the FPS genre, then Portal is the clear heir to its throne. Short, sparse and effortlessly streamlined, the game constantly surprises and urges the player along. And while much can be made of the narrative (I still hold that the whole game functions as a meta-commentary on the structure of video games, with the player as Chell, GLaDOS as Valve and cake served up glorious by Jonathan Coulton), the game wouldn't be any good if not for the expertly designed puzzle dynamics. The majority of the games head play is made up of sorting out how to get across spaces using carefully designed portals, then implementing occasionally tricky timing to actually execute. Chell nevers act offensively, purely in defense, but the amount of empowerment towards the end is rather amazing. The tug and pull between feeling like you're breaking free, only to realize that you're following the very path you're designed to go along, is not only a masterful bit of game design, but something that will help inspire years of indie game philosophy.
2008
Dead Space (Multi-Platform)
Someone Should Clean This Up After doing 25 of these, it probably is becoming clear that setting is very important to my opinions on games. From the husk of planet Zebes, to the bright neon of Vice City, to the quirky Whispering Rock Psychic Summer Camp, few things will cause me to love a game more than an imaginative locale within which to play. Perhaps that is why exploring the husk of the USG IShimura left such a strong impression with me. Or perhaps it was the clever use of mining tools to solve puzzles and hack off limbs from raging necromorphs. It could be the unbelievable sound design, only fully appreciated in full 5.1 surround. Or how Dead Space doesn't limit itself to the stock standard rules of survival horror, and offer a setting at once familiar and alien (no pun intended). While it certainly borrows a lot from other games (including games on this very list, namely System Shock and Half-Life 2,) the precision and detail that went into every second of Dead Space created a memorable and truly frightening experience that served as the highlight of the last year of gaming.
And that's it. Every game for every year, from the bleak 1984 to the impressive 2008. Again, the leaps and bounds gaming have gone through in a relatively short amount of time is pretty awe-inspiring, and makes me very excited about the future. If interested, check back here in two weeks to see my write-up for what I consider the best game of 2009.
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And then there were five. This process of covering all the best games year by year has been enlightening, as its forced me to really get a fuller view picture of how far gaming has come, and where it still falls short. Of course, it also made for some tough choices, as great years in gaming seem to cluster, while some years...well, just don't really measure up.
This last list was especially interesting because it is the only set of time I might consider myself a "serious" gamer, interested in game design and various aspects of the so-called "industry." I started listening to 1Up Yours during E3 in 2006, and have been an avid listener to various gaming podcasts ever since. All of which is to say, this is the only list of games I really fully remember learning about far before their release. They are games I heard of, then saw, then played, then formed an opinion on. Thus, I feel that these opinions might be the most fully evolved and certainly the most fresh.
But lets get on with the list.
2004
Half-Life 2 (PC)
Well Hey There The narrative of Half-Life 2 is never fully explained in torturous exposition, which is naturally why it is so compelling. The story of Gordon Freeman waking up in a dystopian future with little understanding of his surroundings creates a perfect backdrop for Valve's effortless shooter masterpiece. The pacing of Half-Life 2, with its puzzles followed by combat followed by puzzles that lead to more combat, continually pushes you forward. The characters you meet are well-defined without feeling like creations. The world is one of horror and wonder, with Gordon constantly uncovering more broken segments of the Combine's manipulations. The game is essentially one unbroken shot, a trademark of Valve's games, that briskly moves along. One of the greatest testaments to Valve's design is that it proves that linear game design is not a fault, but a skill, offering a game that is the creation of master auters at the height of their craft.
2005
Psychonauts (Multi-Platform)
Don't Mess With Raz It is a bit (okay, really) difficult to make out, but my avatar is actually a screenshot from a fictional demake of Psychonauts for the Game Boy. The Milkman Conspiracy level to be precise, which is just one example of one of the games highlights. While many better 3D platformers have been made from a purely mechanical standpoint, none have a core concept quite so fascinating: every level is the psyche of a game's character. This includes the portion of their personality that they want you to see, and the pain and torment they have locked away. Supported by the genius writing of Tim Schafer and Eric Wolpaw, the game offers surprisingly rich portraits of complex human beings within the guise of Tim Burton inspired grotequeries. The resulting experience is amusing and thought provoking, and is in turns moving and disturbing.
2006
Guitar Hero 2 (Multi-Platform)
Getting the Band Together Yes, it is hard to remember when the whole peripheral guided rhthym game genre was still novel. And yes, 2006 wasn't exactly a watermark year for gaming. But Guitar Hero 2 is still a high mark for the series, mostly because it introduced the concept of playing together, either in co-op or in competition. It provided the first hint of what it felt like playing in a group, and offered a soundtrack of fairly shredtastic tunes. Most importantly, with its new outrageous characters and bloated venues, the game fully utilized the rock-star-simulator aspect of the original game to the umpth degree. While the ongoing Rock Band/Guitar Hero war becomes more and more grating as days go by, this second entry in the then-unknown battle is most likely the zenith of the Hero series. It built upon the excitement and promise of the original, and offered a basic blueprint for where Harmonix would grow next.
2007
Portal (Multi-Platform)
Try Not to Vomit If Half-Life 2 is a bold, inspiring attempt at reimagine the FPS genre, then Portal is the clear heir to its throne. Short, sparse and effortlessly streamlined, the game constantly surprises and urges the player along. And while much can be made of the narrative (I still hold that the whole game functions as a meta-commentary on the structure of video games, with the player as Chell, GLaDOS as Valve and cake served up glorious by Jonathan Coulton), the game wouldn't be any good if not for the expertly designed puzzle dynamics. The majority of the games head play is made up of sorting out how to get across spaces using carefully designed portals, then implementing occasionally tricky timing to actually execute. Chell nevers act offensively, purely in defense, but the amount of empowerment towards the end is rather amazing. The tug and pull between feeling like you're breaking free, only to realize that you're following the very path you're designed to go along, is not only a masterful bit of game design, but something that will help inspire years of indie game philosophy.
2008
Dead Space (Multi-Platform)
Someone Should Clean This Up After doing 25 of these, it probably is becoming clear that setting is very important to my opinions on games. From the husk of planet Zebes, to the bright neon of Vice City, to the quirky Whispering Rock Psychic Summer Camp, few things will cause me to love a game more than an imaginative locale within which to play. Perhaps that is why exploring the husk of the USG IShimura left such a strong impression with me. Or perhaps it was the clever use of mining tools to solve puzzles and hack off limbs from raging necromorphs. It could be the unbelievable sound design, only fully appreciated in full 5.1 surround. Or how Dead Space doesn't limit itself to the stock standard rules of survival horror, and offer a setting at once familiar and alien (no pun intended). While it certainly borrows a lot from other games (including games on this very list, namely System Shock and Half-Life 2,) the precision and detail that went into every second of Dead Space created a memorable and truly frightening experience that served as the highlight of the last year of gaming.
And that's it. Every game for every year, from the bleak 1984 to the impressive 2008. Again, the leaps and bounds gaming have gone through in a relatively short amount of time is pretty awe-inspiring, and makes me very excited about the future. If interested, check back here in two weeks to see my write-up for what I consider the best game of 2009.
I know this is going to sound weird, but am I the only person who thought that Alyx never washed her hair? She always had that sort of look. As for the others...Portal's the only other one I can comment on.
" I know this is going to sound weird, but am I the only person who thought that Alyx never washed her hair? She always had that sort of look. As for the others...Portal's the only other one I can comment on. "
Haha. No time to take a shower when you are saving the world. Though a shower seen would be nice :D
Edit: Probably should have had something to do with the topic in there. Great list. I enjoyed every single one of those games on the list. Except Psychonauts, which I don't think is the game's fault. Just my lack of enjoyment from Platformers in general.
2007: Bioshock makes a fantastic impression, but also can go on a bit long before dropping the ball at the end. Also, the "moral decision" aspect of the game had little effect on how you played, other than making it a bit harder if you decide to be a good chap. Ultimately, it falls short of the System Shock legacy while still being an excellent first person experience. In contrast, Portal is a brisk, confident combination of genius physics puzzles, narrative presented in witty dialogue and atmospheric clues and an example of how compact gaming doesn't need to be second-class citizen.
2005: Resident Evil 4 is a fantastic leap forward for the series, using the new perspective and interactive cut scenes to freshen up a dinosaur of a series. But there is something about the "game design is narrative" philosophy that just pushes Tim Schafer's comedic masterpiece to the top of the list. Yes, mechanically, Psychonauts can be a bit of a mess, and yes, the Meat Circus is a huge misstep. But the memorable moments (discovering emotional baggage in a hidden room in a disco dance party, while being urged to leave it alone; discovering a strategy board game in the mind of a distant relative of Napoleon; the entire Milkman conspiracy) are so perfect, hilarious and thought-provoking that the game as a whole far surpasses its shortcomings. RE4, for all its polish and improvements, still carries a lot of the frustration inherent in the series (I would say the entirety of Survival Horror, but Dead Space revitalized my hope in the genre). And ultimately, it never fascinated me in the same way almost every second of Psychonauts did.
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