Oh man, let's see... not a lot of individual artists, but plenty of genres, and sometimes just individual songs.
Blood introduced me to Type O Negative (the song's not actually IN the game, but some copies came with the Love You To Death music video), who I've loved ever since.
The Scott Pilgrim game gave me Anamanaguchi.
Does "The Residents: Freak Show" CD-ROM count for introducing me to The Residents? I mean, it *was* technically a game, but only technically.
While I knew most of the songs to varying extents already, the GTA soundtracks always make me appreciate songs I never cared much about beforehand.
I've grown to love almost every song in the Fallout games, too. I have a much better appreciation for doo wop and 50s music in general.
I'm not a Yeah Yeah Yeahs fan, but Rock Band made me fall in love with "Maps".
Vampire: The Masquerade: Bloodlines: Colon. "Isolated" by Chiasma. Fuck, I love that song.
Some motocross PS1 game had the video for "Brackish" by Kittie. I knew the song beforehand, but never cared for it until then. For a band known as being "Korn, but teen girls", they weren't half bad in hindsight. Not amazing, but not bad. Brackish is great, though.
This one's embarrassing as a music obsessed person, but I never really dug into Bowie until MGS5, and the Midge Ure cover of Man Who Sold The World came on. Something clicked, and it wasn't long before I started listening to Bowie albums and kicking myself for missing out.
Redneck Rampage planted the seeds for my later love of Psychobilly (@rocketskates: If you have VR, check out Starblood Arena. GREAT psychobilly soundtrack, everyone from Horton Heat to Horrorpops). It still weirds me out that I like it so much, given that, other than the campy horror themes, there's no component to psychobilly that I actually like much on its own. There's definitely an intrigue to hearing a largely European scene's take on idealized 50s Americana, though. I'd love to know how Denmark of all places became such a strong hub for the genre.
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