I have a huge appreciation for Post Rock and Progressive Rock music. I borrow from their ideas quite often. I haven’t really done a full on track in either genre though. Making Contact is the closest I’ve come to making a Progressive Rock or Post-Rock track.

Chaos Out Of Nothingness comes much closer. Layers of guitars, bass, drums, piano and ambience that build-up slowly to the big finale. Not too slow of a build-up though, cause I get bored when the build-up is several minutes long. :P 

Check it out:
 

MP3 download: THA - Chaos Out Of Nothingness

Now with Riboflavin:
 

I liked it. Moody, but with a taste of exposure.

Ooo, another cool song to add to my rapidly growing Hamster Alliance iTunes folder. I really like the progressive ambient and soft to really resounding and strong stuff you do. For example...Reprimand of the Eternal Watchers is great! :D Keep up the awesome work!

That's pretty cool. It reminds me a bit of Explosions In the Sky.
 
I'm pretty sure I had that rRootage game on my iPod Touch. It gets crazy.
 
Also, I tried to cover Mode 7 on guitar in more of a metal fashion but there were some parts that I couldn't really make out. Sorry :(

Thanks! :D
 
@Dr_Feelgood38:  A bit messy and in my I-don't-know-notation-or-tablature format, but here ya go:
 
MODE 7:

Bassline - Intro:

| B . . . | A . . . | G . . . | F# . . . ||
| E . . . | F# . . . | G . . . | A . . . ||
| B . . . | A . . . | G . . . | F# . . . ||
| E . . . | F# . . . | G . . . | D . C# . ||

Bassline - Main:

| B . . . | A . . . | G . . . | F# . . . ||
| E . . . | F# . . . | G . . . | F# . . . ||
| ^ again, but staccato ^ |

Into bridge:

| B . . . | A . . . | G . . . | F# . . . ||
| E . . . | F# . . . | G . . . | F# . C#-D-F#-G ||

Bassline - Bridge:

| B . B . | B . . B-| A# . A# . | A# . . . ||
| B . B . | B . . A#-| D . D . | C# . . . ||
| F# . F# . | F# . . F#-| F . F . | F . . . ||
| F# . F# . | F# . . F#-| G . E . | B . . . ||

Return to main bassline.

--------------------------------------------------------------

Guitar-Like Lead -

| . . C# D ||
| F# E-F# . . | D C#-D . D-C#-B-| A . B . F# |  . . . F#-D-E-||
| F# E-F# . . | F# A-F# . F#-E-D-| C# . D . A-B |  . . . B-A-B-||

| B-F#-E-F# . . | D C#-D . D-C#-B-| A . B . F# |  . . . F#-D-E-||
| F# E-F# . . | F# A-F# . F#-E-D-| C# . D . A-B |  . . . D-C#-A-|| B---------

--------------------------------------------------------------

First Melody -

| B B F# B | A B F# A | G B F# G | F# B A B ||

Second Melody -

| B-C#-D-B-F#-B-G-F#- | B-E-D-B-E-B-D-C#- | B-C#-D-B-E-B-D-C#- | B-A#-D-B-E-B-G-F#- |

--------------------------------------------------------------

Chords:

| B .  .  . | A  .  . .  | G . . . | F# . .  . ||
| F# . .  . | F# .  . .  | B . . . | A# . .  . ||
| F# G F# G | E  F# E F# | D E D E | C# D C# D ||


| E .  .  . | F# .  . .  | G  . .  . | F# . .  . ||
| B .  .  . | C# .  . .  | D  . .  . | C# . .  . ||
| B C# B C# | D  C# D C# | F# G F# G | F# E D C# ||

--------------------------------------------------------------

Bridge melody:

| B G . E | F# . . G-F#-| B A# . D | C#. . . ||
| B G . E | F# . . G-F#-| B A# . D | C#. . . ||
| F# D . B | C# . . D-C#-| F# F . A | G#. . . ||
| F# D . B | C# . . B-A#-| G# F# . C# | B . . . ||

Bridge harmony:

| E . . . | F# . . . | G . . . | F# . . . ||
| E . . . | F# . . . | D . . . | C# . . . ||
| B . . . | C# . . . | D . . . | C# . . . ||
| B . . . | C# . . . | G F# E C# | B . . . || 
 
-------------------------------------------------------------- 
 
Just in case you're still interested. :)